Brittish Actors

Collection of Classic Brittish Actors

Derrick O’Connor
Derrick O'Connor
Derrick O’Connor

Derrick O’Connor obituary in “The Scotsman”.

Derrick O’Connor made three films with Terry Gilliam, he took on Mel Gibson in hand-to-hand combat as a memorable and particularly nasty South African villain in Lethal Weapon 2 in 1989 and he wound up in the Pirates of the Carribean franchise.

But O’Connor honed his craft on stage in Edinburgh in the 1960s and 1970s, working with both the Traverse and Royal Lyceum theatre companies before heading for Hollywood, where his talents seemed to fit comfortably into a string of roles as criminals and priests.

He was born in Dublin in 1941, but grew up in London and in his twenties relocated to Edinburgh, where he appeared in several Traverse productions in the late 1960s, including Megan Terry’s experimental “theatre game” Comings and Goings and The Lunatic, The Secret Sportsman and The Woman Next Door, satirical theatre by the one-time Scotsman television critic Stanley Eveling.

O’Connor worked with the Royal Lyceum Theatre company at a particularly auspicious time when Richard Eyre was director in the early 1970s. He was Biondello in The Taming of the Shrew, with Antony Webb as Petruchio and Kika Markham as Katharina. His other Lyceum productions included Oh! What a Lovely War and Harold Pinter’s The Caretaker.

By the early 1970s he was also getting small roles in television and film. His association with Gilliam began on the 1977 fantasy film Jabberwocky, which was inspired by the Lewis Carroll poem about the eponymous monster. O’Connor was credited in the role of “flying hogfish peasant”.

He was the robber leader in Gilliam’s Time Bandits (1981) and played Dowser, a sinister Central Services character in Gilliam’s Kafkaesque comedy-drama Brazil (1985).

In audio commentary for the DVD releases, Gilliam revealed that unlike most actors O’Connor was very happy to cut down on his number of lines. In Time Bandits he communicates in grunts. In Brazil he spent much of his time echoing the dialogue of his partner Spoor, played by Bob Hoskins.

Other credits from around the time include The Missionary (1982), Hope and Glory (1987) and the starring role in the Australian television comedy-drama series Stringer (1988), about a journalist who links up with a taxi driver to pursue new business ventures. He also worked with the Royal Shakespeare Company.

He got his big Hollywood break when he dyed his hair blonde and adopted a South African accent to play Pieter Vorstedt in Lethal Weapon 2. Vorstedt was a vicious South African agent involved in illegal drugs who clashes with Gibson’s character Martin Riggs. At the climax of the film the two come face to face in Los Angeles’s dockland area. Vorstedt tries to stab Riggs, but Riggs turns the knife on Vorstedt and finishes him off by dropping a cargo container on him, prompting audience cheers. CinemaBlend website noted: “Not enough good things can be said about what Derrick O’Connor brought to Lethal Weapon 2, as Pieter Vorstedt remains one of the franchise’s best characters… If you are looking for a reminder of how strong his performance was in that particular film, you can check out the scene in which he reveals that he murdered Riggs’s wife.”

Whereas some actors might fill their delivery with a perverse glee, O’Connor relates the story matter-of-factly, with only a hint of delight in his adversary’s torment.

O’Connor decided to stay on in California after Lethal Weapon, made his home in the Santa Barbara area and found fairly regular work in American television and movies, while maintaining his interest in theatre as well.

Having fallen out with Mel Gibson in Lethal Weapon 2, he got on no better with Arnold Schwarzenegger in End of Days (1999). Schwarzenegger plays an ex-cop working in private security. O’Connor’s character is a priest called Thomas Aquinas, who effectively announces the “End of Days” when he tells Schwarzenegger: “The thousand years has ended, the Dark Angel is loosed from his prison.”

Schwarzenegger is forced to kill him to save himself, but is arrested and police refuse to believe him as it transpires Aquinas had no tongue and therefore no power of speech.

O’Connor had a major recurring role as one of the heads of a crime organisation in the second season of Jennifer Garner spy drama Alias (2002), he played another priest, lecturing Ben Affleck, in the 2003 superhero movie Daredevil, and he had a small role as an old man who signs up with Johnny Depp’s crew in Pirates of the Caribbean: Dead Man’s Chest (2006).

O’Connor also worked in theatre in San Francisco and Los Angeles and he directed a stage production of Krapp’s Last Tape, by his Nobel Prize-winning compatriot Samuel Beckett, and a play called Rock Justice, by Marty Balin, better known as a member of the rock band Jefferson Airplane than for his theatre work.

He continued working until recently and is survived by his wife Mimi and son Max.

Stephanie Cole

Stephanie Cole

Stephanie Cole

Stephanie Cole was born in 1941 in Solihull.   She is best known for her television appearances including Dr Beatrice Mason in “Tenko” which ran from 1981 until 1985.   She is currently appearing as Sylvia, other to Roy Cropper , in “Coronation Street”.   Her movies include “International Velvet” in 1978, “That Summer” and “Grey Owl”.

“What’s On Stage” article:

INTERVIEWS

 

20 Questions With…Stephanie Cole

Stephanie Cole, currently touring in Peter Nichols’ new comedy So Long Life, reveals her admiration for the playwright and laments the demise of stage repertory and the dumbing down of TV.

By Editorial Staff • 10 Sep 2001 • West End

Stephanie Cole auditioned for, and was accepted by, the Bristol Old Vic Theatre School at the age of 15. She made her stage debut there two years later, playing a 90-year-old. Since that auspicious beginning, Cole’s extensive theatre credits have included Rose (starring Glenda Jackson at the Duke of York’s), Noises Off (Savoy), Steel Magnolias (Lyric) and The Relapse (Old Vic).

In 1995, she starred in Kay Mellor’s A Passionate Woman which played to packed houses at the West End’s Comedy Theatre for an extended nine-month run. More recently, she was back in the West End co-starring with Donald Sinden in Ronald Harwood’s Quartet.

On television, Cole’s many regular appearances have included TenkoKeeping MumLife as We Know ItTalking Heads and A Bit of a Do. She won a British Comedy Best Actress award forWaiting for God. A familiar voice in radio drama, the actress has recently published her autobiography, entitled A Passionate Life.

The actress is currently starring in the UK-wide tour of So Long Life, a new work by the award-winning Peter Nichols. She plays an 85-year-old matriarch (pictured), whose extended and highly dysfunctional family gathers to celebrate her birthday. Following its tour, the play is expected to transfer to the West End.

 


Place of birth
Born in Solihull, Warwickshire.

Now lives in
Somerset

Trained at
Bristol Old Vic School

First big break
When the television series Tenko and Open All Hours ran concurrently, it enabled me to be offered more major roles in both comedy and drama.

Career highlights to date
Both Talking Heads and Waiting for God for the BBC, and A Passionate Woman (1995) at the Comedy Theatre.

Favourite productions you’ve ever worked on
It’s usually the one I’m working on now, and in this case it certainly is. I think So Long Life is a terrific play.

Favourite co-star
There have been so many lovely ones, that to pick any single one out would be invidious.

Favourite director
There are probably two. Ned Sherrin for offering up fun and food, and Dominic Hill for the brilliant direction he provides.

Favourite playwright
There are many, many playwrights I love, stretching from Shakespeare to Alan Bennett. But Peter Nichols is perhaps still the tops for me.

What role would you most like to play (if you haven’t already)?
I would contemplate anything that was new and also well-written.

How do you think the theatre and television industries have changed since you began your acting career? 
I feel that theatre has changed completely, and for the worse as far as young actors are concerned, with the slow demise of the repertory system. And television has dumbed down to such an extent that there are very few decent scripts. With regards to the financial situation, it’s take it or leave it – which is hard for the ordinary working actor.

In your opinion, what’s the best thing currently on stage?
Joe Penhall’s Blue/Orange.

What advice would you give to the government to secure the future of British theatre?
Pour more money in and put people in charge of organisations who actually know what they are doing.

If you could swap places with one person (living or dead) who would it?
No one especially, unless I could be Tony Blair briefly and divert extra money into caring for the mentally ill.

Favourite book
The poems of Edward Thomas.

Favourite joke
I laugh like a drain at most jokes, but then instantly forget them so I can’t help!

Why in particular did you want to accept your part in So Long Life?
Because the character of Alice represents a feisty 85-year-old from Bristol, and I am a West Country girl.

Peter Nichols is enjoying a resurgence with major revivals of A Day in the Death of Joe EggPrivates on Parade etc. To what would you attribute this renewed interest in his work?
Simply the fact that he is one of the great playwrights, and I think it is a disgrace that he was ignored for so long.

Are there any special considerations when performing a new work by Nichols as opposed to one of his “tried and tested” pieces?
The main consideration is that working with a playwright on a new play is the most creative and exciting journey of discovery.

What’s your favourite line from So Long Life?
I’d probably be giving too much away if I revealed anything.

What was the funniest, or oddest, moment during rehearsals for So Long Life?
Despite the fact that we did laugh a great deal in rehearsals, no single incident springs to mind.

What are your plans for the future?
I sincerely hope that So Long Life gets the West End run that it fully deserves.

– Stephanie Cole was speaking to Terri Paddock

The above “What;s On Stage” article can be accessed also online here.

 

 

Ben Price
Ben Price
Ben Price
 

Ben Price is currently appearing as Nick Tilsey in “Coronation Street”.   He was born in 1974 in Newcastle-on-Tyne.   He made his television debut in “Soldier,Soldier” in 1997.   Other TV roles include in  “Heartbeat”,”Peak Practice” and “Wire in the Blood”.   Movies include “Blood Trials” in 2006.

IMDB entry:

Ben Price (born 1 January 1974) is a British actor, known for his roles in the British television series Footballers’ Wives (2002) and Casualty (1986) and several high-profile theatre roles.   He co-starred in the horror film Blood Trails (2006), which won the audience award for best feature at the Dead by Dawn International Horror Film Festival 2006 in Edinburgh.   He has starred in Casualty (1986) as “Corporate Director Nathan Spencer” between 2004 and 2007, and was recently voted one of the ten actors most likely to succeed in Hollywood by “Stage and Screen” magazine.   In 2009, he is due to appear in Series 4 of The Tudors (2007).  He now lives between Los Angeles and London

Kevin Doyle
Kevin Doyle
Kevin Doyle

Kevin Doyle was born in 1961 in Scunthorpe.   His TV debut was in 1984 in the series “Sharing Time”.   His films include “The LIbertine” in 2004 and “Good”.   He is currently starring in the very popular series “Downton Abbey”.

William Gaminara
William Gaminara
William Gaminara

William Gaminara is best known for his role as  Leo Dalton in the long running TV series “Silent Witness” on BBC. His films include “Comrades” in 1986 and “A Dark Adapted Eye”

“What’s On Stage” in 2014:

Actor William Gaminara, best known for playing Leo Dalton for more than a decade in Silent Witness, is currently starring in The Body of an American at the Gate Theatre, which runs until 8 February

By Rosie Bannister • 22 Jan 2014 • London

1. Where and when were you born?
I was born in Lusaka, the capital city of Zambia (Northern Rhodesia at the time) in 1956.

2. What made you want to become an actor?
Playing head sheep in the Nativity Play at Nursery School. I only had one word to say… ‘Bethlehem’… which I bleated repeatedly and got a (cheap) laugh.

3. If you hadn’t become an actor, what might you have done professionally?
I work as a writer as well so maybe I would have done that full time. I like the idea of being an investigative journalist, but I suspect the reality is a lot less glamorous than I imagine.

4. First big break?
Playing one of the Tolpuddle Martyrs in Bill Douglas’ film Comrades. It was my first proper screen work and I didn’t really know what I was doing but it was a wonderful adventure which taught me a lot.

5. Career highlights to date?
A brief scene with Vanessa Redgrave in the same film; in Silent Witness doing an autopsy on a dog whose tail would not stop wagging; speaking Cantonese in a production of Macbeth knowing that if I got the intonation wrong the whole meaning would alter – all highlights in their own ways.

6. Any regrets?
That we don’t have a multiplicity of lives so we can try out different ways of living.

7. What was the first thing you saw on stage that had a big impact on you?
Being taken to see A Midsummer Night’s Dream at Regent’s Park Open Air Theatre at the age of about eight. It wasn’t just the play but the magic of that venue on a hot summer’s night in the dark.

8. And the last?
It’s not often that the production, the performances and the writing all match each other in a show. Jerusalem managed it in spades.

9. Who are your acting idols?
On screen the usual suspects… De Niro, Brando, Harvey Keitel. On stage I don’t have any idols as such but I could name any number of British actors whom I admire enormously.

10. What’s the best advice you’ve ever been given?
When you sit down at a poker table, the first thing you do is look round and see if you can spot the patsy. If you can’t, then the patsy is you.

11. Why did you want to get involved in The Body of an American?
A variety of reasons; I spent a long time researching and writing a film about a War Correspondent some years ago so it felt like I was returning to a familiar and fascinating subject. It’s a challenging and unconventional script which makes challenging and unconventional demands of an actor. Like all good plays, it leaves as many questions unanswered as answered. And at its heart it has two complex and intriguing central characters with whom I could immediately identify.

12. How have you prepared for the role?
My character exists in real life so apart from his autobiography (from which a lot of the play is drawn), there is video footage of him available. Otherwise the usual careful scrutiny and exploration of the text. We have also had the benefit of a dialect coach for a variety of accents/voices. Our author Dan O’Brien was also with us for the first week and having spent a lot of time with my character (in real life) was of course able to fill in any gaps.

13. Favourite line in the show?
“I’m paraphrasing now of course, but what kind of an ass-jag uses the word ‘whilst’!”

14. What do you hope people take away from the show?
I hope they have a genuinely arresting and exciting theatrical experience, that they are engrossed in and intrigued by the relationship between these two men, and that if nothing else they leave with some greater understanding of what is involved in being a reporter working on the frontline in war scenarios.

15. What’s your favourite post-show hang out?
My bath.

16. Do you often get recognised from your TV work?
Often enough to realise what a pain it must be to be recognised more often.

17. How do you unwind?
I play in a band (guitar and blues harmonica) and I play table-tennis and poker. But not all at the same time. I have also been learning Cuban salsa for a year or two.

18. If you could swap places with anyone for a day, who would it be?
David Cameron, so I could hand in my resignation.

19. What’s your favourite theatre joke?
A: What’s the secret of comedy? B: Timing.

20. What’s next?
Uncertainty as ever.

Read our five star review of The Body of an American here

The Body of an American, which is co-produced by Royal & Derngate, Northampton, continues at the Gate until 14 February

The above “What’s On Stage” article can also be accessed online here.

Robert Powell
Robert Powell
Robert Powell

Robert Powell was born in 1944 in Salford.   He achieved international fame when he was chosen by Franco Zefferelli to play the title role in the television miniseries “Jeus of Nazareth” in 1977.   His movies include “Robbery” in 1967, “The Italian Job”, “Secrets” and “Pride of Africa” in 1997.   Recently he starred in TV’s “Holby City”.

TCM overview:

Intense but gentle-looking British leading actor with wide, deep-set, blue eyes and a pensive, sometimes mournful quality, prominent in international films and TV. After brief experience in repertory theater, Powell played bits in films, but fame came when he acted a leading role in the TV series “Doomwatch” (BBC, 1970-71), a semi-rip-off of “Mission: Impossible” about a high-profile and secretive group of watchdog scientists. Powell then returned to features to play prominent roles in films like the fantasy “The Asphyx” (1972). A break came when he played the title role in Ken Russell’s comparatively straightforward and handsomely wrought biopic of the sensitive, tormented composer “Mahler” (1973).

Powell achieved his widest visibility in the next few years. He was the protagonist’s father in Russell’s film of the Who’s rock opera “Tommy” (1975). Powell ambitiously moved back to playing title characters himself when he made his US TV miniseries debut in Franco Zeffirelli’s “Jesus of Nazareth” (1977). Powell played other leading roles in TV (a weak remake of “The Four Feathers” 1978) and features (a dull revamp of Hitchcock’s “The 39 Steps” 1978), but played only a supporting role in the 1982 TV-movie version of “The Hunchback of Notre Dame”.

Interested in offbeat roles and challenging subjects, Powell subsequently focused on eclectic fare of a wide international scope. His dignified carriage suited him well in period pieces ranging from the New Zealand-made WWI drama “Chunuk Bair” (1992), to the syndicated miniseries “Shaka Zulu” (1986). Powell was also regularly cast as teachers and artists in roles calling on the cerebral passion of his Jesus and Mahler: a spiritually confused math professor in Krzysztof Zanussi’s “Imperative” (1982); a fiery teacher trying to stage “Jane Austen in Manhattan” (1980); and the title poet of “D’Annunzio” (1986). Other roles, meanwhile, required both historical garb and impassioned sensitivity, as with his crazed choirmaster in a remake of Charles Dickens’s last work, “The Mystery of Edwin Drood” (1993).

The above TCM overview can also be accessed online here.

Andrew Lincoln
Andrew Lincoln
Andrew Lincoln

Andrew Lincoln was born in 1973 in London.   He made his television debut in 1994 in the series “Drop the Dead Donkey”.   He starred with Tom Hardy in a television adaptation of “Wuthering Heights” as Edgar Linton.   His movies include “Love Actually” in 2003 and “Heartbreaker”.

TCM overview:

Born Andrew James Clutterbuck in London, England on Sept. 14, 1973, Andrew Lincoln was one of two sons by his father, a civil engineer, and his mother, a nurse from South Africa. Raised in the cities of Hull, in the county of Yorkshire, and later Hull, in southwestern England, he was a self-admitted high-energy child whose exuberance attracted the attention of a teacher that placed him in a production of “Oliver Twist” at the age of 14. Acting soon became his passion, and after a summer at the National Youth Theatre, he put aside thoughts of becoming a veterinarian to focus on auditioning. He eventually gained entrance into the Royal Academy of Dramatic Art, and paid its tuition by working a variety of jobs, including auto assembly worker at one of his father’s factories. During this period, he also assumed the professional surname of Lincoln.

His first screen appearance arrived with a 1994 episode of the newsroom sitcom, “Drop the Dead Donkey” (Channel 4, 1990-98), which was followed in short order by more television work and a feature debut in the gritty “Boston Kickout” (1995), about the lives of four young men in a dead-end English town. In 1996, he landed the role that brought him his first taste of stardom in his native country: “This Life” was a drama about five recent law graduates who shared a London house while exploring the highs and lows of adult life and careers. Lincoln played Edgar “Egg” Cook, whose lack of ambition created tension with his girlfriend (Amita Dhiri) and eventually forced him to abandon the legal profession. A modest hit in its first season, “This Life” blossomed into a huge success in its second network run, thrusting Lincoln and his castmates into the national spotlight with front page news coverage and wall-to-wall magazine features.

The success of “Life” led to steady work on UK television and in films, most notably the Welsh comedy “Human Traffic” (1999), which cast him as a clubgoer pining for the heady days of the early 1990s, and “Gangster No. 1” (2000) as a savage hitman working for Paul Bettany’s aspiring crime lord. In 2001, he returned to series work with “Teachers.” The sitcom, set in a British secondary school, starred Lincoln as a newly-minted English teacher whose laid-back approach to education clashed with his high-strung peers. Lincoln, who left the series in 2003 before its final season, also made his directorial debut with several episodes.

In 2003, Lincoln gained international exposure through the film “Love Actually.” The portmanteau romantic comedy, which featured such major stars as Hugh Grant, Liam Neeson and Laura Linney, included a story thread which followed lovelorn videographer Lincoln, who inadvertently reveals his feelings for Keira Knightley’s new bride while photographing her wedding to his best friend (Chiwetel Ejiofor). A sizable hit during the 2003 holiday season, it was soon followed by more work in British film, as well as Lincoln’s third television series, “Afterlife.” The supernatural drama cast him as a research academic grieving the loss of his son, and finding a possible means of easing his pain through a psychic (Lesley Sharp) who claimed she could see his son’s spirit. In turn, Lincoln helped Sharp overcome guilt and trauma caused by visitations by the ghost of her mother.

After a 2007 reunion with his “This Life” castmates in “This Life + 10” (BBC Wales), which examined the former housemates’ lives a decade after their time together, Lincoln settled into a string of prominent starring roles on UK TV series and in features. He was Edgar Linton, who vied for the hand of Catherine Earnshaw in a 2009 production of “Wuthering Heights” (ITV), then played Apollo 11 crew member Michael Collins in “Moon Shot” (ITV, 2009), a British take on the 1969 moon landing and its effect on history and its participants. That same year, he starred in “Strike Back” (Sky One, 2010- ), an action-drama about two former special operations soldiers (Lincoln and Richard Armitage) who united during a botched raid in Iraq and later served together on several high stakes rescue missions. There was also a brief stint in America with a starring role in a pilot for a 2008 legal drama produced by Barry Sonnenfeld, but the project never came to fruition.

In 2010, Lincoln was cast as the lead in “The Walking Dead.” The ambitious horror-drama, based on a popular comic book series, followed the survivors of a worldwide plague that turned its victims into flesh-eating zombies. Lincoln adopted an impressive American accent to play the show’s hero, Georgia sheriff’s deputy Rick Grimes, who attempted to lead a band of humans to safety as civilization crumbled around them. A massive ratings hit during its first season, the show was greenlit for a sophomore season that same year.

The above TCM overview can also be accessed online here.

Andrew Burt
Andrew Burt
Andrew Burt

Andrew Burt was born in 1945 in Wakefield, West Yorkshire.   He played the original Jack Sugden in “Emmerdale Farm” from 1972 until 1976.    He made his television debut in the series “Callan” in 1972.   His films include “The Black Panter” in 1977 and “Not LIke Us” in 1995.

“Wikipedia” entry:

Andrew Burt (born 23 May 1945 in WakefieldWest Yorkshire) is an English actor, who has appeared in many British TV drama series from the 1970s to the present day. He is perhaps best known as the original Jack Sugden in Emmerdale Farm, a role he played from 1972 to 1974 (with a brief return in 1976), before handing over the character to another actor, Clive Hornby.[1]

Burt’s other television credits include WarshipCampion,Swallows and Amazons Forever!I’m Alan PartridgeThe BillBergerac, Blake’s 7Doctor Who and the BBC series The Voyage of Charles Darwin, in which he played the captain of HMS BeagleRobert FitzRoy. He played the lead role in Gulliver in Lilliput for the BBC in 1982 and a leading guest role as Dr Quimper in the Miss Marple episode “4.50 from Paddington” in 1987. More recently he has appeared in episodes of New TricksTrial & Retribution and Spooks.

He has also provided voice-overs for numerous commercials and he was a co-presenter of Yorkshire Television‘s pre-school series Stepping Stones in the late 1970s and early 1980s.

Burt was educated at Silcoates School, Wakefield and the University of Kent. He trained at Rose Bruford College of Drama and has considerable repertory experience, his preferred medium of acting being the stage. Andrew also was in an episode of Crown Court on ITV called “Question of Care”.

He now lives in Ealing, West London, where he works as a counsellor for people with stress-related illnesses. Besides he’s also working on an agency called Hobsons, which is providing voice-overs. He has done some work for the Walt Disney Company‘s premium TV-channel Disney Cinemagic.

The above “Wikipedia” entry can also be accessed online here.

Con O’Neill

Con O'Neill

Con O’Neill

Con O’Neill

Con O’Nell was born in Weston-Supermare in Sumerset.   He has many fine stage performances to his credit.   He won wide acclaim for both his stage and film roles as Joe Meek in “Telstar” in 2008.

IMDB entry:

Con O’Neill was born in 1966 in Weston-Super-Mare, Somerset, England. He is an actor, known for Telstar: The Joe Meek Story (2008), Bedrooms and Hallways (1998) and The Last Seduction II (1999). He was awarded the Laurence Olivier Theatre Award in 1989 (1988 season) for Best Actor in a Musical for his performance in Blood Brothers.  Was nominated for Broadway’s 1993 Tony Award as Best Actor (Musical) for “Blood Brothers.”   Born in England to parents from Dundalk in Ireland,he started acting at the Everyman Youth Theater in Liverpool, meeting Willy Russell, hence the ‘Blood Brothers’ connection.   Appearing in “Telstar” at the New Ambassadors Theatre, London [July 2005]