Contemporary Actors

Collection of Contemporary Actors

Andrew Lincoln
Andrew Lincoln
Andrew Lincoln

Andrew Lincoln was born in 1973 in London.   He made his television debut in 1994 in the series “Drop the Dead Donkey”.   He starred with Tom Hardy in a television adaptation of “Wuthering Heights” as Edgar Linton.   His movies include “Love Actually” in 2003 and “Heartbreaker”.

TCM overview:

Born Andrew James Clutterbuck in London, England on Sept. 14, 1973, Andrew Lincoln was one of two sons by his father, a civil engineer, and his mother, a nurse from South Africa. Raised in the cities of Hull, in the county of Yorkshire, and later Hull, in southwestern England, he was a self-admitted high-energy child whose exuberance attracted the attention of a teacher that placed him in a production of “Oliver Twist” at the age of 14. Acting soon became his passion, and after a summer at the National Youth Theatre, he put aside thoughts of becoming a veterinarian to focus on auditioning. He eventually gained entrance into the Royal Academy of Dramatic Art, and paid its tuition by working a variety of jobs, including auto assembly worker at one of his father’s factories. During this period, he also assumed the professional surname of Lincoln.

His first screen appearance arrived with a 1994 episode of the newsroom sitcom, “Drop the Dead Donkey” (Channel 4, 1990-98), which was followed in short order by more television work and a feature debut in the gritty “Boston Kickout” (1995), about the lives of four young men in a dead-end English town. In 1996, he landed the role that brought him his first taste of stardom in his native country: “This Life” was a drama about five recent law graduates who shared a London house while exploring the highs and lows of adult life and careers. Lincoln played Edgar “Egg” Cook, whose lack of ambition created tension with his girlfriend (Amita Dhiri) and eventually forced him to abandon the legal profession. A modest hit in its first season, “This Life” blossomed into a huge success in its second network run, thrusting Lincoln and his castmates into the national spotlight with front page news coverage and wall-to-wall magazine features.

The success of “Life” led to steady work on UK television and in films, most notably the Welsh comedy “Human Traffic” (1999), which cast him as a clubgoer pining for the heady days of the early 1990s, and “Gangster No. 1” (2000) as a savage hitman working for Paul Bettany’s aspiring crime lord. In 2001, he returned to series work with “Teachers.” The sitcom, set in a British secondary school, starred Lincoln as a newly-minted English teacher whose laid-back approach to education clashed with his high-strung peers. Lincoln, who left the series in 2003 before its final season, also made his directorial debut with several episodes.

In 2003, Lincoln gained international exposure through the film “Love Actually.” The portmanteau romantic comedy, which featured such major stars as Hugh Grant, Liam Neeson and Laura Linney, included a story thread which followed lovelorn videographer Lincoln, who inadvertently reveals his feelings for Keira Knightley’s new bride while photographing her wedding to his best friend (Chiwetel Ejiofor). A sizable hit during the 2003 holiday season, it was soon followed by more work in British film, as well as Lincoln’s third television series, “Afterlife.” The supernatural drama cast him as a research academic grieving the loss of his son, and finding a possible means of easing his pain through a psychic (Lesley Sharp) who claimed she could see his son’s spirit. In turn, Lincoln helped Sharp overcome guilt and trauma caused by visitations by the ghost of her mother.

After a 2007 reunion with his “This Life” castmates in “This Life + 10” (BBC Wales), which examined the former housemates’ lives a decade after their time together, Lincoln settled into a string of prominent starring roles on UK TV series and in features. He was Edgar Linton, who vied for the hand of Catherine Earnshaw in a 2009 production of “Wuthering Heights” (ITV), then played Apollo 11 crew member Michael Collins in “Moon Shot” (ITV, 2009), a British take on the 1969 moon landing and its effect on history and its participants. That same year, he starred in “Strike Back” (Sky One, 2010- ), an action-drama about two former special operations soldiers (Lincoln and Richard Armitage) who united during a botched raid in Iraq and later served together on several high stakes rescue missions. There was also a brief stint in America with a starring role in a pilot for a 2008 legal drama produced by Barry Sonnenfeld, but the project never came to fruition.

In 2010, Lincoln was cast as the lead in “The Walking Dead.” The ambitious horror-drama, based on a popular comic book series, followed the survivors of a worldwide plague that turned its victims into flesh-eating zombies. Lincoln adopted an impressive American accent to play the show’s hero, Georgia sheriff’s deputy Rick Grimes, who attempted to lead a band of humans to safety as civilization crumbled around them. A massive ratings hit during its first season, the show was greenlit for a sophomore season that same year.

The above TCM overview can also be accessed online here.

Con O’Neill

Con O'Neill

Con O’Neill

Con O’Neill

Con O’Nell was born in Weston-Supermare in Sumerset.   He has many fine stage performances to his credit.   He won wide acclaim for both his stage and film roles as Joe Meek in “Telstar” in 2008.

IMDB entry:

Con O’Neill was born in 1966 in Weston-Super-Mare, Somerset, England. He is an actor, known for Telstar: The Joe Meek Story (2008), Bedrooms and Hallways (1998) and The Last Seduction II (1999). He was awarded the Laurence Olivier Theatre Award in 1989 (1988 season) for Best Actor in a Musical for his performance in Blood Brothers.  Was nominated for Broadway’s 1993 Tony Award as Best Actor (Musical) for “Blood Brothers.”   Born in England to parents from Dundalk in Ireland,he started acting at the Everyman Youth Theater in Liverpool, meeting Willy Russell, hence the ‘Blood Brothers’ connection.   Appearing in “Telstar” at the New Ambassadors Theatre, London [July 2005]

Craig Gazey
Craig Gazey
Craig Gazey

Craig Gazey was born in 1982 in Manchester.   He is best known for his portryal of window-cleaner Graeme Proctor in “Coronation Street”.   He left the series in 2011 to concentrate on the theatre.

Interview in “RTE10”:

RTÉ Ten chats to the former Coronation Street star about the stage version ofThe Full Monty, which runs at the Bord Gáis Energy Theatre from April 8 – 13.

In 1997, a BAFTA award winning film about six out of work Sheffield steelworkers with nothing to lose, took the world by storm. And now they’re back, live on stage.

The film’s writer, Simon Beaufoy, has since won an Oscar for Slumdog Millionaire, has now gone back to where it all started to rediscover the men, the women, the heartache and the hilarity of a city on the dole.

Featuring songs from the film by Donna Summer, Hot Chocolate and Tom Jones, The Full Monty is brought to the stage by award winning director Daniel Evans and stars Sidney Cole, Kenny Doughty, Craig Gazey, Roger Morlidge, Kieran O’Brien, and Simon Rouse.

RTÉ Ten caught up with actor Craig Gazey, who plays Lumper, and you might also remember from Coronation Street on which he played the loveable Graham Proctor.

RTÉ Ten: How similar to the movie is The Full Monty the play?
Craig: There are lots of moments that are like the film, but I think it is different in a certain way as I would say it is a bit more political, than the film was. We meet the characters but we are obviously different actors to the original ones so we do it in our way! I haven’t seen the film for about 10 years and I did love it when I saw it, but I thought it was really important not to see it when I was auditioning and when I got the script, because there are a lot of things different with my character.

Steve Huison played the part of Lumper in the movie, who you are now playing, and you worked with him on Coronation Street – did you ask him for any advice?
No I didn’t. I remember he was great in it, but in the film he has a beautiful dead-pan way. He doesn’t really say anything and you can do that, but on a stage when there are hundreds of people watching you, you can’t really get away with that. I just saw it as a new entity really.

Tell us a bit about your Lumper then?
Well, we meet Lumper in the factory, which is different to the film and he attempts suicide, and gets saved by the Dave and Gaz. He then has these new friends, which is all he really wanted. Simon [Beaufoy] has really developed Lumper since I got the part, he has written it so that he becomes empowered by his new friendships and being part of a group which he never had. He has always been a bit of a loner. His life just gets better and better.

Did you get a chance to work directly with Simon Beaufoy on the script?
Yes, he was an integral part of the rehearsal process and we were doing rewrites through the previews as well. He is the most lovely, humble guy and this is his first play. I couldn’t believe how excited he was to work with theatre actors. He told us it is one of the most difficult things he has done. What has been great is that none of the reviews has belittle it. Yes it is about fun, and yes we do strip, but like the film, it is about these guys that have lost their way and for 5 minutes of their lives become empowered and I think that comes across in the play. We certainly feel it and the audience seem to.

Director Daniel Evans said that in rehearsal some of the cast where more up for the stripping than others – which side of that fence did you sit on?
Well this is the fourth play that I have had to strip in so I was completely fine with it! When we started we had one week of just the six of us with our choreographer and on the second day of that week we had what now can only be described as naked Tuesday, we walked from one side of the room to the other with our clothes off. It was just great because we weren’t giggly about it, everyone was so supportive. All the other people in the show, they all sit at the side of the wings and it’s just a thing that we don’t really talk about, it just happens!

Are you looking forward to your Dublin dates?
Yes very much so – I’ve been to Dublin a couple of times and I love it. I run for Leukaemia Lymphoma Research and we came over and did a 10k run with Sonia O’Sullivan. But I have never been there for long enough, so hoping to get out and about this time.

The poster for the show says ‘Prior to the West End’ – are you hoping to be part of the cast if it makes it there?
Well, we don’t like to jinx it. Hopefully we will get there – but we don’t really talk about it. We are doing our job by performing so we will just have to wait and see what happens with that.

We haven’t seen you on the telly since you left Corrie, what have you been up to?
Yeah, I haven’t done any TV work, not for any particular reason except that the projects I wanted to do happened to be in the theatre. I would like to go back to it at some stage, not necessarily Coronation Street, maybe that could be something down the road.

What about Hollywood – do you have dreams of the big screen?
I’d love to do some films, especially here in England, but our industry isn’t thriving at the minute. I’ve been trying my hand at writing and I have a short film I want to make in the summer so I will see how I get with that.

The above “RTE Ten” interview can also be accessed online here.

Reece Dinsdale

Reece Dinsdale was born in 1959 in Wakefield, West Yorkshire.   In 1984 he scored on television in the play “Winter Flight”.   He was also featrued that year in the film “A Private Function” with Michael Palin and Maggie Smith.   He was then cast as John Thaw’s son in the series “Home to Roost”.   In 1994 he won many critical plaudits for his leading role in the film “I.D”. a drama about football violence.   Recently he was Joe McIntyre in “Coronation Street”.   He is married to actress Zara Turner.

IMDB entry:
Dinsdale was born in Normanton West Yorkshire, England in 1959. He trained at the Guildhall School of Music and Drama in the late seventies and early eighties. This eventually led to him being cast as Albert in the Agatha Christie’s Partners in Crime(1983) series, making his first appearance in the episode The Secret Adversary (1983) in 1982. He continued in that role for two years. In 1984 director Mick Jackson writer Barry Hines cast him in their powerful nuclear war docudrama Threads (1984), as Jimmy Kemp, a soon to be father and husband to Karen Meagher‘s Ruth Beckett, who is killed when a nuclear bomb explodes over Sheffield, England. Interestingly that same year Dinsdale also starred in the Cold War drama Winter Flight (1984), in which he played a shy, introverted RAF man who falls in love with a feisty barmaid. Also in 1984 Dinsdale appeared in his first feature, the Maggie Smith comedy, A Private Function (1984). His largest role to date, however, came in 1985 as Matthew Willows when he co-starred withJohn Thaw in the British sitcom Home to Roost (1985). Dinsdale played Thaws unruly teen-aged son Matthew who comes to live with his estranged father after his mother put him out of the house. The core of the shows comedy came from constant clashing between Henry Willows (Thaw’s character), who resented his son for imposing on his bachelor solitude, and Matthew adolescent antics which clashed with his father’s conservatism. The show ran for five series between 1985 and 1990.

Dinsdale co-starred in many other British television shows and mini series in the nineties. From 1990-1992 he co-starred in Haggard (1990), a comedy set in the late 1700s. In 1995 he starred in the mini-series Bliss (1995), and more recently he has co-starred in the British series Born and Bred (2002), The Chase (2006), and Dalziel and Pascoe (1996). Film roles have included 1995’s _ID_, 1996’s _Hamlet_, in which he played Guilderstern alongside Kenneth Branagh as Hamlet, and 1998’s _So This Is Romance_.

Privately Dinsdale resides with his wife, British actress Zara Turner, in Yorkshire, England. The couple have two children, a daughter Elwy, and a son Luca. Dinsdale is also a great supporter of Huddersfield Town Football Club. He presented the video ‘Beyond the Touchline’ that went behind the scenes at Huddersfield’s former Leeds Road ground.

– IMDb Mini Biography By: garryq after Anon

The above IMDB entry can also be accessed online here.

Wayne Rogers
Wayne Rogers
Wayne Rogers

Wayne Rogers is a likable American actor who has graced cinema and television.   He is best known for his participation in the “Mash” television series as Trapper John McIntyre.   His films include “The Glory Guys” with Tom Tryon and Senta Berger in 1965 and “Cool Hand Luke” with Paul Newman in 1967.   He died in 31st December 2015.

“Telegraph” obituary:

Wayne Rogers, who has died aged 82, played the US Army surgeon Captain “Trapper” John McIntyre, the martini-swilling, nurse-chasing sidekick to Alan Alda’s “Hawkeye” Pierce, in the immensely popular television series M.A.S.H., a black comedy set in a mobile hospital during the Korean War.

Rogers took over the role of Trapper John for the television adaptation (first broadcast in 1972) from Elliott Gould who had played him in Robert Altman’s hit film of 1970, which was itself based on a novel by Richard Hooker, a former US Army physician. For the television show, which was generally lighter in tone than the film, Trapper’s sense of humour was made broader, more slapstick and less dry.

He tended to take on a secondary role as partner in practical jokes – usually involving the goading of the more officious members of the unit such as Major Burns – to Alan Alda’s character. But the wisecracking Trapper, so-called because a young woman with whom he was once caught in flagrante in a train’s lavatory protested that “he trapped me!”, was well liked by viewers.

A typical quip came in an episode when Major Margaret “Hot Lips” Houlihan, the strict head nurse played by Loretta Swit, is heard angrily deriding Trapper and Hawkeye as “those shower-tent peekers”, and Trapper rejoins with: “You peek into one shower and you’re labelled for life!”

By the third series, Alda’s dominance in the scripts was irritating Rogers and this, as well as contractual disagreements (including a morality clause which, Rogers later claimed, “said that, in the eyes of the studio, if you behaved in an immoral fashion, they have the right to suspend you”) led to his departure from the show in 1975. Trapper was hastily written out of the script and replaced as Hawkeye’s tent chum by Captain B  J Hunnicutt (Mike Farrell), who stayed for the remaining eight seasons.

William Wayne McMillan Rogers was born in Birmingham, Alabama, on April 7 1933, the son of a lawyer who died when Wayne was still a child. After private school he read History at Princeton and then served in the US Navy as a navigator on a cargo ship before catching the acting bug. “At the time, I was supposed to go to Harvard Law,” he recalled many years later. “My mother was insistent that I conform. I had to break the news that I wanted a life in the theatre instead. It went over like a lead balloon.”

He moved to New York where he studied dance with Martha Graham and acting. He appeared in episodes of Gunsmoke, Law of the Plainsman and Wanted: Dead or Alive and in 1960 was cast in a lead role in a new Western series, Stagecoach West. In 1967 he took a small role in the prison drama Cool Hand Luke with Paul Newman.

Of the M.A.S.H. years he said: “It was a wonderful experience, and I’ll tell you why. Alan Alda and I came to it with the same attitude – that the work, and not the trappings of the work, was the most important thing.”

After M.A.S.H. he turned up occasionally in films; on television among other roles he appeared as a guest star in five episodes of Murder, She Wrote and, starting in 1979, played a doctor again in the sitcom House Calls, with Lynn Redgrave and then Sharon Gless.

Meanwhile Rogers’s business career was prospering; he became a respected entrepreneur and appeared on Cashin’ In on Fox News as a pundit.

From his early days in a precarious profession Rogers had salted away his earnings. “One of the first things I did in the early 1960s,” he remembered, “was to buy an apartment house in West Hollywood out of bankruptcy and turn it around.” In the early days he was able to help his flatmate, the actor Peter Falk, to recover money from an insurance company after he had been badly advised.

Wayne Rogers married, first, Mitzi McWhorter, an actress, in 1960. The marriage was dissolved and in 1988 he married Amy Hirsh, a producer. She survives him with a son and a daughter from the previous marriage.

The above “Telegraph” obituary can also be accessed online here.

 

Gary Brumburgh’s entry:

Tough around the edges and with a handsome durability, Alabama-born Wayne Rogers had graduated from Princeton with a history degree in 1954 and joined the Navy before giving acting a thought. During his military service, however, he became associated with theater by happenstance and decided to give it a try after his discharge. He started things off by studying with renown actor Sanford Meisner and dancer Martha Graham at the Neighborhood Playhouse. He toiled for years in off-Broadway and regional plays (“Bus Stop”, “No Time for Sergeants”) and had a short stint on the daytime soap The Edge of Night (1956) before making a minor dent in films, including small roles in Odds Against Tomorrow (1959), The Glory Guys (1965) and Cool Hand Luke (1967). He also co-starred opposite Robert Bray in the short-lived TV western series Stagecoach West (1960), and co-produced and wrote the script for the cult sci-fi cheapie The Astro-Zombies (1968) in-between. It wasn’t until 1972 when the 39-year-old Rogers nabbed the role of “Trapper John”, a Korean War surgeon, in the classic comedy series M*A*S*H (1972) that he found the stardom that had eluded him for over a decade and a half. Alongside Alan Alda‘s “Hawkeye Pierce”, the TV show was a huge hit and the two enjoyed equal success at the beginning. Slowly, however, Wayne’s character started getting the short end of the stick as the wry, sardonic, highly appealing Alda became a resounding audience favorite. Frustrated at turning second-banana to Alda, he quit the series (his character was discharged) after three seasons amid a contractual dispute. Mike Farrell replaced him in the cohort role of “B.J. Hunnicut”. TV movies came his way throughout the late 70s and a couple more comedy series, including House Calls (1979), in which Wayne received a Golden Globe nomination, but nothing would equal the success he found during theM*A*S*H (1972) years. Sporadic filming in Once in Paris… (1978), The Hot Touch (1981),The Gig (1985) and The Killing Time (1987) also failed to raise his amiable profile. In later years, Wayne found renewed respect as a businessman and investor, having managed the affairs of such stars as Peter Falk and James Caan, among others.

– IMDb Mini Biography By: Gary Brumburgh / gr-home@pacbell.net

Stephanie Beacham
Stephanie Beecham
Stephanie Beecham

Although Stephanie Beecham has starred in movies, notably opposite Marlon Brando in “The Nightcomers” and Ava Gardner in “Tam Lin”, she is best known for her roles in some iconic television series.   She was born in Barnet in 1947.   She began her acting career with roles on television in “The Saint” with Roger Moore and “Jason King”.   Her major roles on TV were as Rose in the series “Tenko”, in “Connie” in 1985, in Hollywood in “The Colbys” and then back in the UK in “Bad Girls” with Amanda Barrie.   She has two daughters from her marriage to John McEnery.

 

TCM overview:

A British stage actress who migrated to the USA to play the bitchy Sable Coolly on “Dynasty II: The Cloys” (ABC, 1985-87), Stephanie Beacham has often been cast in roles that vary between nasty vixens and cool, take-charge women. The London native began her career on stage in Liverpool in 1964 where she was a founding member of the Everyman Theatre. She debuted there in “The Servant of Two Masters” and as the First Witch in “Macbeth”. By 1970, Beacham was working on the London stage in “The Basement” and later appeared opposite Ian McKellen in “Venice Preserved” (1985) and Jeremy Irons in “The Rover” (1988). She belatedly made her Broadway debut in 1996 in a production of Oscar Wilde’s “An Ideal Husband”.

Beacham debuted in films in 1969’s “The Games” as an Olympic hopeful opposite Michael Crawford. She subsequently appeared as a swinger alongside Ava Gardner in Roddy McDowell’s “The Devil’s Widow” (1971). More recently, she was a nemesis to Shelly Long in the pallid comedy “Troop Beverly Hills” (1989). Beacham has feared better on the small screen, She reprised her role as the bitch-goddess Sable on “Dynasty” for the 1988-89 season. She switched to comedy in the title role of “Sister Kate” (NBC, 1989-90), a nun more familiar with work in the high echelons of power now assigned to run an orphanage. Beacham had the recurring role of Luke Perry’s mother on Fox’s “Beverly Hills, 90210” and later played the very able Dr. Westphalen for two seasons (1993-95) on NBC’s “seaQuest DSV”.

 The above TCM overview can also be accessed online here.
John McEnery & Stephanie Beecham

Stephanie Beecham TCM Overview

Setephanie Beacham has starred in movies, notably opposite Marlon Brando in “The Nightcomers” and Ava Gardner in “Tam Lin”, she is best known for her roles in some iconic television series.   She was born in Barnet in 1947.  

She began her acting career with roles on television in “The Saint” with Roger Moore and “Jason King”.   Her major roles on TV were as Rose in the series “Tenko”, in “Connie” in 1985, in Hollywood in “The Colbys” and then back in the UK in “Bad Girls” with Amanda Barrie.   She has two daughters from her marriage to John McEnery.

TCM overview:

A British stage actress who migrated to the USA to play the bitchy Sable Coolly on “Dynasty II: The Cloys” (ABC, 1985-87), Stephanie Beacham has often been cast in roles that vary between nasty vixens and cool, take-charge women. The London native began her career on stage in Liverpool in 1964 where she was a founding member of the Everyman Theatre. She debuted there in “The Servant of Two Masters” and as the First Witch in “Macbeth”.

By 1970, Beacham was working on the London stage in “The Basement” and later appeared opposite Ian McKellen in “Venice Preserved” (1985) and Jeremy Irons in “The Rover” (1988). She belatedly made her Broadway debut in 1996 in a production of Oscar Wilde’s “An Ideal Husband”.

Stephanie Beecham & Louise Jameson
Stephanie Beecham & Louise Jameson

Beacham debuted in films in 1969’s “The Games” as an Olympic hopeful opposite Michael Crawford. She subsequently appeared as a swinger alongside Ava Gardner in Roddy McDowell’s “The Devil’s Widow” (1971). More recently, she was a nemesis to Shelly Long in the pallid comedy “Troop Beverly Hills” (1989).

Beacham has feared better on the small screen, She reprised her role as the bitch-goddess Sable on “Dynasty” for the 1988-89 season. She switched to comedy in the title role of “Sister Kate” (NBC, 1989-90), a nun more familiar with work in the high echelons of power now assigned to run an orphanage.

Beacham had the recurring role of Luke Perry’s mother on Fox’s “Beverly Hills, 90210” and later played the very able Dr. Westphalen for two seasons (1993-95) on NBC’s “seaQuest DSV”. The above TCM overview can also be accessed online here.

 

Michael Legge
Michael Legge
Michael Legge

Michael Legge. IMDB.

Michael Legge gave wonderful performances in two films associated with Limerick, “Angela’s Ashes”in 1999 and “Cowboys and Angels” in 2003.  

Michael Legge
Michael Legge

He was born in Newry, Co. Down in 1978.   Has also starred in the popular television series “Shameless”.

IMDB entry:

Michael Legge
Michael Legge

Michael Legge was born on December 11, 1978 in Newry, Co. Down, Northern Ireland. He is an actor and director, known for Angela’s Ashes (1999), Cowboys & Angels (2003) andWhatever Happened to Harold Smith? (1999).

  Lost close to thirty pounds to play Frank in Angela’s Ashes (1999).   While at school, he appeared in a variety of plays, both modern and classic. He is a ten-year veteran of theater in his Northern Ireland hometown.  

 Frank McCourt‘s novel “Angela’s Ashes” had been his mom’s, aunt’s, and grandmother’s favorite book. He appeared as Older Frank in the film version of the novel.  

Was encouraged to act at school by drama teacher Sean Hollywood, who was respected and renowned throughout Ireland for his talent-scouting of young actors in the Newry district. TCM Overview:

 Lanky, dark-haired, freckle-faced Michael Legge came to moviegoers’ attention as the older incarnation of narrator Frank McCourt in the “Angela’s Ashes” (1999), the film adaptation of McCourt’s Pulitzer-winning memoir. A native of Newry in Northern Ireland, Legge was already a veteran stage and TV performer when he won that role over some 15,000 aspirants.

As a child, he came to the attention of drama teacher Sean Hollywood who encouraged the youngster. Work in local theater followed as did a featured role in the 1996 British television drama “The Precious Blood”. 1999 proved to be a banner year for Legge as he landed pivotal roles in three features. In addition to his finely wrought portrayal of McCourt in “Angela’s Ashes”,

Michael Legge

he demonstrated his versatility as a teenager who discovers the hideaway of three feral youths during an unnamed conflict in the intense, Swedish-made “Straydogs” and displayed his comic gifts and natural charm as a disco-loving teen in 1977 Sheffield in “Whatever Happened to Harold Smith?”.The above TCM overview can also be accessed online here.

Scott L. Schwartz

Scott L. Schwartz

Scott L. Schwartz

American wrestler who has branched into acting.   His film debut was in 1991 in “For Parents Only”.   Other films include “High Voltage” and “Fire Down Below”.

IMDB entry:

Scott L. Schwartz was born in Philadelphia, Pennsylvania, USA. He is known for his work on Ocean’s Eleven (2001), The Scorpion King (2002) and Starsky & Hutch (2004   He usually plays hulking brute criminals due to his immense height and threatening looks.   Scott L. Schwartz has been visiting children’s hospitals worldwide for the past 12 years after losing his sister to lung cancer in 1998.   Is on the board at numerous charities including Santa’s Gift and Reading, Writing, It’s Exciting.  Wrote/Directed/Produced his first film “Changing Hands” in 2010 and is in final phases of it – to be released Spring 2012.   Scott is the recipient of the 2012 CHOC Glass Slipper Award (a prestigious award that others like David Beckham, Gwen Stefani among others have received). This year Scott along with others helped raise over $250k to benefit CHOC.   Scotts recent charity accomplishments include Scott along with “Legendary Cubs Pitcher” Milt Pappas raising over $50k to benefit Alicia’s House Food Pantry in Chicago, IL.   On May 21, 2013 Scott was invited by General Mills to be an Ambassador for Outnumber Hunger. Outnumber Hunger partners with Feeding America and Big Machine Label Group to help Feeding America secure meals on behalf of local food bank.Personal Quotes (1)   Making it in the film business is best described by the situation when you are a child. When you are playing with blocks they tell you: “Put the square block in the square hole and the round block in the round hole” In order to make it in the film business, you have to get the square block into the round hole. It seems difficult, even impossible when you think about it. Some people quit and don’t try. If you grind it hard enough and long enough – it will go in. Don’t quit.

The above IMDB entry can also be accessed online here.
Jack Bannon
Jack Bannon

Jack Bannon was a brilliant American actor, best known for his part as Assistant City Editor Art Donovan in the classic TV series “Lou Grant” which ran from 1977 until 1982.   He is the son of actress Bea Benaderet (of “Petticoat Junction” fame” and is married to actress Ellen Travolta, sister of John.   Jack Bannon has featured in such movies as “To the Limit” and “Navajo Blues”.   He was born in 1940 in Los Angeles and died in October 2017.

Obituary by Carolyn Lamberson:

Jack Bannon, who played assistant city editor Art Donovan on the Emmy-winning TV series “Lou Grant,” and who since 1995 has lived in Coeur d’Alene with his wife, Ellen Travolta, died Wednesday.

He was 77.

Bannon was active player on local stages, including two decades in the company of Coeur d’Alene Summer Theatre. There, he was Don Quixote in “Man of La Mancha,” Henry Higgens in “My Fair Lady,” Horace Vandergelder twice in “Hello, Dolly,” Daddy Warbucks in “Annie,” and the narrator of “Into the Woods.” At Spokane Civic Theatre, he portrayed the stage manager in “Our Town,” and at the former Interplayers he starred in “Art,” “The Fantasticks” and “Bus Stop,” among others. His last play was “On Shaky Ground,” for Ignite Community Theater in 2016, which was written by his stepdaughter, radio host Molly Allen. He and his wife co-starred frequently, doing “Love Letters” at Lake City Playhouse, Interplayers, CST and the University of Idaho, or in recent years in the holiday show at the Coeur d’Alene Resort.

His career stretched back to 1964, when he made his debut in the TV sitcom “Karen.” He would go on to make appearances on shows such as “The Andy Griffith Show,” “Petticoat Junction,” “The Beverly Hillbillies,” “Daniel Boone,” “Mannix,” “Barney Miller,” and “Charlie’s Angels.”

But it was “Lou Grant” that most closely defines Bannon’s career. The show was a spin-off of the iconic “Mary Tyler Moore Show,” as Ed Asner’s gruff editor relocated from a Minneapolis TV station to the newsroom of the fictional Los Angeles Tribune. It was an unusual move, taking the character from a 30-minute comedy to an hourlong drama that often delved into social commentary, but it seemed to work. The show ran for five seasons on CBS, and won an Emmy for outstanding drama. It also won two Golden Globes and the Peabody.

His film credits include the 1969 horror film “Whatever Happened to Aunt Alice,” starring Ruth Gordon and Geraldine Page, 1970’s “Little Big Man” with Dustin Hoffman and Faye Dunaway, and the 1990 Jean-Claude Van Damme action flick “Death Warrant,” as well as the regionally produced films “Navajo Blues” (1996) and “The Basket” (1999).

Bannon was born June 14, 1940, to a show business family. His father, Jim Bannon, was a radio, television and movie actor who played the Red Ryder in four 1940s Westerns. His mother, Bea Benaderet, was a noted radio and television performer. She did several voices for the “Fibber McGee and Molly” radio show, and was a two-time Emmy nominee for best supporting actress for her work on “The George Burns and Gracie Allen Show.” She was Kate Bradley on “Petticoat Junction” and “Green Acres” and the voice of Betty Rubble on the “The Flintstones.”

His first marriage to Kathleen Larkin ended in divorce. In 1983, he married Travolta. The two met at birthday party for their agent – a party both Bannon and 10-year-old Molly brought the same gift to.

“Their longtime agent, he was a hypochondriac, and I brought him a pretend doctor’s kit,” Allen said. “And Jack brought him a deluxe pretend doctor’s kit. Then he saw my mom he asked who the lady with the pretty green eyes was. Then they started dating.”

She added, “Jack and I had a similar sense of humor from the beginning.”

Bannon and Travolta started visiting the Coeur d’Alene area in the late 1980s. By 1995, they’d bought their place above the lake and left Los Angeles. Rather than retire, he continued to work, although mostly it was on the stage.

He typically was a standout performer in whatever role he was in, and was seemingly as happy with a major role as he was with smaller parts. In his final season with CST, in 2013, he cropped up as a last-minute substitution in “Big River,” playing Judge Thatcher.

“It was sweet because sometimes he would do small parts in a play at summer theatre because he wanted to be part of it, and he’d do two scenes. Another show, he would be the lead,” Allen said. “He just wanted to be a part of it.”

While he made a living primarily in television, he was an accomplished stage actor. He was part of the ensemble that won an L.A. Drama Critic’s Award for Caryl Churchill’s 1983 “Cloud Nine,” and starred in a 1982 revival of “Mr. Roberts” in Los Angeles, directed the legendary Joshua Logan.

In his review of Civic’s “Our Town” in 2000, former Spokesman-Review arts reporter Jim Kershner admitted to gushing in his appraisal of Bannon’s work as the stage manager. “He is commanding in a way which manages not to be domineering. He is informal, droll and his New England accent is right on the mark. He not only sounds the part, he looks the part. With his vest and pocket watch and his long, lean Yankee frame, he looks like an uncommonly wise train conductor. You might say he is conducting us into a kind of a fourth theatrical dimension, in which we can finally see ourselves as we really are.”

For the actors who worked with him, Bannon was an inspiring presence who was funny and kind and a consummate professional.

Spokane-born actor Cheyenne Jackson, star of “American Horror Story” and “United 93,” fondly recalled working alongside Bannon at the summer theater.

“I have such fond memories of working with Jack on a few different occasions,” Jackson said in a statement. “He had a wonderful ease and confidence about him. He made you feel comfortable in the world and was the epitome of a gentleman.”

Longtime friend and collaborator Patrick Treadway recalled Bannon as a wonderful person.

“He was always available to any local actor,” Treadway said. “When he was invited, he was an excellent teacher. He was a master of dialects and he certainly knew his way around acting. But he was not one to force his opinions or his techniques on anyone. If you asked him, he was a wealth of knowledge.”

Through work together at CST and Interplayers, and the holiday show in 2014, Treadway said he learned a valuable lesson from Bannon.

“Kindness in the workplace, i.e. the stage, is the most valuable gift you can give yourself and everyone else around you,” Treadway said. “You might as well just be kind is what Jack’s message really was. I never saw him turn anyone way. Generous is the word that just keeps coming back in describing him and in describing my friendship with him. He was the same guy at home and in the workplace and in public. He was a very genuine fella.”

Bannon died in Coeur d’Alene surrounded by family, Allen said. He is survived by his wife, Ellen Travolta Bannon; stepchildren Molly Allen and Tom Fridley; sister Maggie Fuller and her husband, Clark Fuller; and two nieces and a nephew. Services are pending.

 

IMDB entry:

Jack Bannon was born on June 14, 1940 in Los Angeles, California, USA as John Bannon. He is known for his work on Lou Grant (1977), Little Big Man (1970) and Death Warrant(1990). He has been married to Ellen Travolta since April 9, 1983.   Son of Jim Bannon and Bea Benaderet.   Son-in-law of Helen Travolta.   Brother-in-law of John TravoltaJoey TravoltaSam TravoltaMargaret Travolta and Ann Travolta.   Stepfather of Tom Fridley.   Stepson of Gene Twombly.   Lives in Los Angeles; performs with his wife Ellen Travolta in local theater near their vacation home in Coeur d’Alene, Idaho.