Hollywood Actors

Collection of Classic Hollywood Actors

Elizabeth Wilson
Elizabeth Wilson
Elizabeth Wilson

Elizabeth Wilson is a profilic American character actress.   She was born in 1921 in Grand Rapids, Michigan.   She made her Broadway debut in “Picnic” in 1953 and repeated the role in her movie debut in “Picnic” in 1955.   Other films include “The Godess” in 1957, “The Birds” in 1963, “The Graduate” in 1967 and “Nine to Five” with Jane Fonda and Dolly Parton.   She died in 2015 at the age of 95.

TCM overview:

A lady of stage and screen, award-winning actress Elizabeth Wilson had a long career in which she frequently played mothers and wives on television and the big screen. Many filmgoers will remember her best for her performance as Dustin Hoffman’s mother in Mike Nichols’ classic comedy/drama “The Graduate” (1967) and from her role as Ralph Fiennes’ mother in Robert Redford’s true-life drama “Quiz Show” (1994). She also had a prominent and memorable comedic role in the 1980 blockbuster comedy “Nine to Five,” playing bad boss Dabney Coleman’s assistant opposite stars Jane Fonda, Lily Tomlin and Dolly Parton. She also co-starred in the big-screen adaptation of “The Addams Family” (1991), playing Abigail Craven, and had a late-career turn starring alongside Bill Murray in the drama “Hyde Park on Hudson” (2012), playing Sara Ann Delano Roosevelt, mother of President Franklin Delano Roosevelt. Like many stage-trained actors, Wilson balanced her career between her first love-theater-and feature films and television. Hollywood typically typecast her in matronly roles, but like any gifted actress, the dependable Wilson always found a way to heighten the role to her best advantage.

Wilson was born on April 4, 1921 in Grand Rapids, MI. She journeyed to New York City to study drama in 1942, hoping to eventually become an actress on Broadway. But in 1945, she put that dream on hold for a while, instead travelling to the Pacific theater to entertain the troops as part of the USO. The job was dangerous-she toured New Guinea, the Philippines and eventually Japan for months-since the war was still raging on, but the experience was also exhilarating for the burgeoning thespian. In the 1950s, Wilson began to make her significant mark on the theater scene, landing her first appearance in a Broadway play performing as schoolteacher Christine Schoenwalder in the original run of “Picnic” (1951). The play also starred Ralph Meeker, Kim Stanley and a young Paul Newman. She would later perform the same role in the 1955 movie version.

When Wilson made the leap to television and feature films, she did not abandon theater. Her most important roles would remain those she performed on stage, although she also racked up an impressive list of credits over the years for her arguably more visible work on television and in films. She had a small role in Alfred Hitchcock’s nature-gone-amok classic thriller “The Birds” (1963) and co-starred opposite legendary actor George C. Scott on the short-lived landmark television show “East Side/West Side” (CBS, 1963-64). After her memorable performance as Dustin Hoffman’s mother in “The Graduate,” she worked with director Mike Nichols six more times, including appearing in “Catch-22” (1970), “The Day of the Dolphin” (1973) and “Regarding Henry” (1991). The two also worked together on Broadway. Wilson also appeared in several episodes of the cult gothic television soap opera “Dark Shadows” (ABC, 1966-1971) and she was nominated for an Emmy Award for her supporting performance in the television mini-series “Nutcracker: Money, Madness & Murder” (NBC, 1987). Although never a household name, Wilson was regularly cast in several high-profile feature film productions late in life, including “Quiz Show,” “The Addams Family” and “Hyde Park on Hudson.”

The above TCM overview can also be accessed online here.

Obituary from May 2015 ‘s “Detroit Press”:

NEW HAVEN, Conn. – Elizabeth Wilson, who built a career as a character actress in films such as “The Graduate” and “9 to 5,” has died. She was 94.

Wilson, who lived in Branford, Conn., with her sister, died Saturday at Yale-New Haven Hospital, actress Elizabeth Morton, a spokeswoman for the family, said Monday.

Wilson played Dustin Hoffman’s mother in “The Graduate” and the character Roz in “9 to 5.” She had roles in almost 30 films, including “Catch-22” and “Regarding Henry,” and appeared in numerous stage and television shows, playing Archie Bunker’s cousin on “All in the Family.”

Wilson won a Tony Award for her performance in 1972’s “Sticks and Bones.” She made her Broadway debut in 1953 in “Picnic,” and appeared in the Broadway revival of “Uncle Vanya” in 1973.

“I had no desire to be a star,” she told the Hartford Courant last July. “I wanted to be a character actress and be able to do all kinds of parts and work on a lot of things. That was my unconscious choice. I wanted to be an undercover actress.”

Wilson was born on April 4, 1921, in Grand Rapids, Mich., and studied at the American Academy of Dramatic Arts in New York.

She bought a home in Branford in 1988 while working at the Long Wharf Theatre.

Wilson is survived by her younger sister, Mary Muir Wilson, with whom she lived, and several nieces and nephews.

A memorial service is planned for later this summer, Morton said.

The above obituary can also be accessed online here.

“Guardian” obituary by Ronald Bergan:

It is a show business axiom that a small role in a hit Hollywood film is worth much more in the currency of fame than dozens of longer, meatier parts in the theatre. Thus Elizabeth Wilson, who has died aged 94, is primarily acknowledged as having played Dustin Hoffman’s shallow and materialistic mother in The Graduate (1967) rather than for her critically acclaimed stage performances in plays by Anton Chekhov (Uncle Vanya), Oscar Wilde (The Importance of Being Earnest), Eugene O’Neill (Ah Wilderness!), Bertolt Brecht (The Good Woman of Szechuan, The Threepenny Opera) and Edward Albee (A Delicate Balance).

Nevertheless, Wilson was admirable in Mike Nichols’s The Graduate, initially displaying maternal pride at her son’s achievements at college, reading from the yearbook to a houseful of guests and embarrassing her son at the same time, then later displaying touching bewilderment at his anti-social behaviour. There is a significant Oedipal sequence in a bathroom when Wilson, in a black negligee, has an argument with Hoffman about where he goes at night, before the film cuts rapidly to him in bed with Mrs Robinson (Anne Bancroft), who is around his mother’s age.

Wilson was born in Grand Rapids, Michigan. Her mother, Marie (nee Welter), and her father, Henry, an insurance agent, encouraged her to follow her ambition to go on stage after graduating from high school. She immediately moved to New York to study at the American Academy of Dramatic Arts and with Sanford Meisner at the left-leaning Neighborhood Playhouse. At the latter she learnedMeisner’s approach to method acting, which he characterised as “living truthfully under imaginary circumstances”.

 

It took some years before she got her first Broadway role as the gossipy schoolteacher Christine Schoenwalder in William Inge’s Picnic (1953), a part she reprised in the 1955 film version. It was her big screen debut if one discounts her fleeting appearance in Alfred Hitchcock’s Notorious (1946), years before her memorable role in the same director’s The Birds (1963) as a waitress who, beholding a drunk who declares that the arrival of the birds is the end of the world, says: “Woe unto them that rise up early in the morning that they may follow strong drink.”

For much of the 1960s Wilson made appearances in television series such as East Side, West Side and in off-Broadway plays such as Henry Livings’s Eh? (1967), in which both she and Hoffman were spotted by Nichols, who cast them in The Graduate. Nichols went on to give Wilson character roles in Catch 22 (1970), Day of the Dolphin (1973) and Regarding Henry (1991), as well as a substantial part in his starry 1973 Broadway production of Uncle Vanya, in which Wilson was poignant as the joyless, unloved Sofya Alexandrovna in a company that included Julie Christie, Lillian GishNicol Williamson and George C Scott.

Wilson, who was something of an expert at playing mothers, won a Tony award for her role in the theatre as the mother of a blind Vietnam vet in David Rabe’s 1971 black comedy Sticks and Bones. She continued to shine as Mrs Peachum in The Threepenny Opera (1976), in which she belted out The Ballad of Sexual Dependency, and as Lady Bracknell in The Importance of Being Earnest (1977). On screen, in Nine to Five (1980), directed by Colin Higgins, Wilson made an impact as the obnoxious, nosy personal assistant of the sexist boss of office workers Jane Fonda, Lily Tomlin and Dolly Parton, who manage to turn the tables in the end. In contrast, she played Ralph Fiennes’s cynical upper-class novelist mother in Robert Redford’s Quiz Show (1994).

Her last stage appearance came in Noël Coward’s Waiting in the Wings (1999) set in a charity home for retired actors. Of a cast headed by Lauren Bacall and Rosemary Harris a New York critic wrote: “Elizabeth Wilson fares best, benefiting from the warmth and sceptical compassion Coward has given her character.” Her final film role was as the mother of Franklin D Roosevelt (Bill Murray) in Hyde Park on Hudson (2012).

She remained single throughout her life, explaining in her later years that she never wanted to “stay home and raise a family”.

She is survived by her sister, Mary.

•Elizabeth Wilson, actor, born 4 April 1921; died 9 May 2015

The above “Guardian” obituary can also be accessed online here.

Roy Thinnes
Roy Thinnes
Roy Thinnes

Roy Thinnes was born in 1938 in Chicago.   He became known to audiences for his part as Ben Quick in the television series “The Long Hot Summer” in 1965.   However he is best known for his starring role in the cult TV series “The Invaders”which began in 1967.   His films include “A Beautiful Mind” in 2001.

IMDB entry:

Roy was born on April 6, 1938, in Chicago, Illinois. During his formative years, he had wanted to become a doctor or football player – or, if one wants to believe his early press releases, both. He started in show business at a radio station, where he did everything: engineering, DJ shows, news and dramatizations. That led to an interest in acting in general. After a hitch in the army, he went to New York and then to California, where he started working in episodes of TV shows. Having made his professional acting debut as a teen-aged firebug in a 1957 pilot for the never-sold TV series, “Chicago 212”, Thinnes spent several lean years “between engagements”, working as a hotel clerk, vitamin salesman and copy boy to Chicago columnist Irv Kupcinet. His first regular TV work was as “Phil Brewer” on the daytime soap opera, General Hospital (1963); during this period, the young actor became the television equivalent of a matinée idol, sparking a barrage of protest mail when he briefly left “GH” in pursuit of other acting jobs. Aggressively campaigning for the starring role of “Ben Quick” on The Long, Hot Summer (1965) — the TV version of the film, The Long, Hot Summer (1958) — Thinnes won the part, as well as a whole new crop of adoring female fans. While “Summer” was unsuccessful, Thinnes enjoyed a longer run as “David Vincent” on the The Fugitive (1963)-like sci-fi series, The Invaders (1967). Success with this popular show also led to marriage to first wife, Lynn Loring, who acted with him in the show as well as in the movie, Journey to the Far Side of the Sun (1969) (aka “Journey To The Far Side Of The Sun”); she is now a CBS film executive. They parted in 1984. Though he’d occasionally show up in such features asThe Hindenburg (1975), Airport 1975 (1974) and Blue Bayou (1990), Thinnes has remained essentially a TV star. Among his post-“The Invaders” TV-series roles was “Dr. James Whitman” on The Psychiatrist (1970), “Capt. (and later Maj.) Holms” on From Here to Eternity (1980), “Nick Hogan” on Falcon Crest (1981) (who, in 1983, married “Victoria Gioberti” [Jamie Rose] in a highly-rated ceremony) and the dual role of “Roger Collins” and “Rev. Trask” in the 1991 prime-time revival, Dark Shadows (1991). Roy’s more recent appearances on the The X-Files (1993) put him back in the forefront. He revived his role as the enigmatic alien, “Jeremiah Smith”, a turnabout role series creator Chris Carterrenewed for Roy in the February 25, 2001 episode, The X-Files: This Is Not Happening(2001).

– IMDb Mini Biography By: James E. Finch (qv’s & corrections by A. Nonymous)

The above IMDB entry can also be accessed online here.

 

Joan Freeman
Joan Freeman
Joan Freeman
Joan Freeman
Joan Freeman

Joan Freeman was one of Elvis Presley’s leading ladies, appearing with him and Barbara Stanwyck in “Roustabout” in 1964.   She was born in Council Bluffs, Iowa in 1942.   Her other movies include “Tower of London” and “The Rounders”.

IMDB entry:

Joan Freeman was born on January 8, 1942 in Council Bluffs, Iowa, USA. She is an actress, known for Friday the 13th: The Final Chapter (1984), Roustabout (1964) and The Reluctant Astronaut (1967). She is married to Bruce Kessler.

Jack Bannon
Jack Bannon

Jack Bannon was a brilliant American actor, best known for his part as Assistant City Editor Art Donovan in the classic TV series “Lou Grant” which ran from 1977 until 1982.   He is the son of actress Bea Benaderet (of “Petticoat Junction” fame” and is married to actress Ellen Travolta, sister of John.   Jack Bannon has featured in such movies as “To the Limit” and “Navajo Blues”.   He was born in 1940 in Los Angeles and died in October 2017.

Obituary by Carolyn Lamberson:

Jack Bannon, who played assistant city editor Art Donovan on the Emmy-winning TV series “Lou Grant,” and who since 1995 has lived in Coeur d’Alene with his wife, Ellen Travolta, died Wednesday.

He was 77.

Bannon was active player on local stages, including two decades in the company of Coeur d’Alene Summer Theatre. There, he was Don Quixote in “Man of La Mancha,” Henry Higgens in “My Fair Lady,” Horace Vandergelder twice in “Hello, Dolly,” Daddy Warbucks in “Annie,” and the narrator of “Into the Woods.” At Spokane Civic Theatre, he portrayed the stage manager in “Our Town,” and at the former Interplayers he starred in “Art,” “The Fantasticks” and “Bus Stop,” among others. His last play was “On Shaky Ground,” for Ignite Community Theater in 2016, which was written by his stepdaughter, radio host Molly Allen. He and his wife co-starred frequently, doing “Love Letters” at Lake City Playhouse, Interplayers, CST and the University of Idaho, or in recent years in the holiday show at the Coeur d’Alene Resort.

His career stretched back to 1964, when he made his debut in the TV sitcom “Karen.” He would go on to make appearances on shows such as “The Andy Griffith Show,” “Petticoat Junction,” “The Beverly Hillbillies,” “Daniel Boone,” “Mannix,” “Barney Miller,” and “Charlie’s Angels.”

But it was “Lou Grant” that most closely defines Bannon’s career. The show was a spin-off of the iconic “Mary Tyler Moore Show,” as Ed Asner’s gruff editor relocated from a Minneapolis TV station to the newsroom of the fictional Los Angeles Tribune. It was an unusual move, taking the character from a 30-minute comedy to an hourlong drama that often delved into social commentary, but it seemed to work. The show ran for five seasons on CBS, and won an Emmy for outstanding drama. It also won two Golden Globes and the Peabody.

His film credits include the 1969 horror film “Whatever Happened to Aunt Alice,” starring Ruth Gordon and Geraldine Page, 1970’s “Little Big Man” with Dustin Hoffman and Faye Dunaway, and the 1990 Jean-Claude Van Damme action flick “Death Warrant,” as well as the regionally produced films “Navajo Blues” (1996) and “The Basket” (1999).

Bannon was born June 14, 1940, to a show business family. His father, Jim Bannon, was a radio, television and movie actor who played the Red Ryder in four 1940s Westerns. His mother, Bea Benaderet, was a noted radio and television performer. She did several voices for the “Fibber McGee and Molly” radio show, and was a two-time Emmy nominee for best supporting actress for her work on “The George Burns and Gracie Allen Show.” She was Kate Bradley on “Petticoat Junction” and “Green Acres” and the voice of Betty Rubble on the “The Flintstones.”

His first marriage to Kathleen Larkin ended in divorce. In 1983, he married Travolta. The two met at birthday party for their agent – a party both Bannon and 10-year-old Molly brought the same gift to.

“Their longtime agent, he was a hypochondriac, and I brought him a pretend doctor’s kit,” Allen said. “And Jack brought him a deluxe pretend doctor’s kit. Then he saw my mom he asked who the lady with the pretty green eyes was. Then they started dating.”

She added, “Jack and I had a similar sense of humor from the beginning.”

Bannon and Travolta started visiting the Coeur d’Alene area in the late 1980s. By 1995, they’d bought their place above the lake and left Los Angeles. Rather than retire, he continued to work, although mostly it was on the stage.

He typically was a standout performer in whatever role he was in, and was seemingly as happy with a major role as he was with smaller parts. In his final season with CST, in 2013, he cropped up as a last-minute substitution in “Big River,” playing Judge Thatcher.

“It was sweet because sometimes he would do small parts in a play at summer theatre because he wanted to be part of it, and he’d do two scenes. Another show, he would be the lead,” Allen said. “He just wanted to be a part of it.”

While he made a living primarily in television, he was an accomplished stage actor. He was part of the ensemble that won an L.A. Drama Critic’s Award for Caryl Churchill’s 1983 “Cloud Nine,” and starred in a 1982 revival of “Mr. Roberts” in Los Angeles, directed the legendary Joshua Logan.

In his review of Civic’s “Our Town” in 2000, former Spokesman-Review arts reporter Jim Kershner admitted to gushing in his appraisal of Bannon’s work as the stage manager. “He is commanding in a way which manages not to be domineering. He is informal, droll and his New England accent is right on the mark. He not only sounds the part, he looks the part. With his vest and pocket watch and his long, lean Yankee frame, he looks like an uncommonly wise train conductor. You might say he is conducting us into a kind of a fourth theatrical dimension, in which we can finally see ourselves as we really are.”

For the actors who worked with him, Bannon was an inspiring presence who was funny and kind and a consummate professional.

Spokane-born actor Cheyenne Jackson, star of “American Horror Story” and “United 93,” fondly recalled working alongside Bannon at the summer theater.

“I have such fond memories of working with Jack on a few different occasions,” Jackson said in a statement. “He had a wonderful ease and confidence about him. He made you feel comfortable in the world and was the epitome of a gentleman.”

Longtime friend and collaborator Patrick Treadway recalled Bannon as a wonderful person.

“He was always available to any local actor,” Treadway said. “When he was invited, he was an excellent teacher. He was a master of dialects and he certainly knew his way around acting. But he was not one to force his opinions or his techniques on anyone. If you asked him, he was a wealth of knowledge.”

Through work together at CST and Interplayers, and the holiday show in 2014, Treadway said he learned a valuable lesson from Bannon.

“Kindness in the workplace, i.e. the stage, is the most valuable gift you can give yourself and everyone else around you,” Treadway said. “You might as well just be kind is what Jack’s message really was. I never saw him turn anyone way. Generous is the word that just keeps coming back in describing him and in describing my friendship with him. He was the same guy at home and in the workplace and in public. He was a very genuine fella.”

Bannon died in Coeur d’Alene surrounded by family, Allen said. He is survived by his wife, Ellen Travolta Bannon; stepchildren Molly Allen and Tom Fridley; sister Maggie Fuller and her husband, Clark Fuller; and two nieces and a nephew. Services are pending.

 

IMDB entry:

Jack Bannon was born on June 14, 1940 in Los Angeles, California, USA as John Bannon. He is known for his work on Lou Grant (1977), Little Big Man (1970) and Death Warrant(1990). He has been married to Ellen Travolta since April 9, 1983.   Son of Jim Bannon and Bea Benaderet.   Son-in-law of Helen Travolta.   Brother-in-law of John TravoltaJoey TravoltaSam TravoltaMargaret Travolta and Ann Travolta.   Stepfather of Tom Fridley.   Stepson of Gene Twombly.   Lives in Los Angeles; performs with his wife Ellen Travolta in local theater near their vacation home in Coeur d’Alene, Idaho.

David Manners
David Manners
David Manners

David Manners obituary in “The Independent” in 1998.

David Manners was born in 1900 in Halifax, Nova Scotia, Canada.   He was a very popular Hollywood leading man of the 1930’s and starred opposite some of the great leading ladies including Katherine Hepburn, Loretta Young and Myrna Loy.   His movies include “Journey’s End”, “Roman Scandals”, “Dracula” in 1931 and “A Bill of Divorcement”.   He died at the age of 98 in 1998.

David Manners

David Manner’s “Independent” obituary by Tom Vallance: DAPPER AND handsome, David Manners was a serviceable leading man whose screen career was confined entirely to the Thirties, during which he was in great demand. He made 37 films between 1930 and 1936, and played romantic lead to such stars as Barbara Stanwyck, Katharine Hepburn, Kay Francis and Constance Bennett.Though he was excellent as the hero-worshipping young officer in Journey’s End and the blind man who falls in love with a faith-healer in The Miracle Woman, it is for his roles in three classic horror films – Dracula with Bela Lugosi, The Mummy with Boris Karloff, and The Black Cat with both Lugosi and Karloff – that he is best remembered, and a few years ago he commented on the interest being shown in him by movie magazines and historians, “Most of today’s fans are 14-year-old worshippers of the horror films – my only claim to movie fame.”

Claiming descent from William the Conqueror, Manners was born Rauff de Ryther Duan Acklom in Halifax, Nova Scotia, in 1902 (some sources state 1900 or 1905). The family tree of his mother, Lilian Manners, included Lady Diana Cooper and the Duke of Rutland, while the Ackloms included the writers Sir Arthur Conan Doyle, W.H. Homing and Morley Aklom – Manners himself would take up writing later in his career.

He was educated at Collegiate Grammar School in Windsor, Ontario, and earned a degree in forestry at the University of Toronto, where he also studied acting under Bertram Forsyth, who ran the Hart House Theatre, where Manners made his stage debut in the title role of Euripides’ Hippolytus. After graduation, his jobs included foreman of a lumber camp in Canada and salesman in a London antique shop. When his parents moved to the United States, Manners decided to try his luck in the New York theatre.

In 1924 he joined Basil Sydney’s touring company; his roles included Bezano the bareback rider in He Who Gets Slapped and Solveig’s father in Peer Gynt. He made his Broadway debut in Dancing Mothers (1924), a comedy starring Helen Hayes. The production’s stage manager was George Cukor, who years later would direct Manners in the film A Bill of Divorcement (1932).

The actor’s first film role was a prestigious one. James Whale had directed both the London and New York productions of R.C. Sherriff’s powerful anti- war play Journey’s End, and was signed to direct the film version in 1930. He was having difficulty casting the pivotal role of the young Second Lieutenant Raleigh who irritates the seasoned Captain with his optimism and loyalty, and was thinking of sending to England for Maurice Evans when he was introduced to Manners, who successfully tested for the role.

With his clean-cut looks and perfect diction, Manners was quickly offered more roles, and starred opposite the former silent star Alice Joyce in He Knew Women (1930), Alice White in Sweet Mama (1930) and Loretta Young in Kismet (1930), in which he effectively played the young Caliph in love with a beggar’s daughter. He was vamped by Myrna Loy in The Truth About Youth (1930) and in The Right to Love (1931) was Ruth Chatterton’s secret lover.

The role of John Harker, the nominal lead in Dracula (1931), was offered to Manners after several actors, including Lew Ayres, had turned it down. During script revisions, the role of Renfield, the estate agent who is vampirised, had been built up leaving Harker little more than a worried bystander, but Manners was given a higher salary than the rest of the cast and the film was an enormous success. Manners was to work with Lugosi twice more, and later commented that he found him “a pain in the ass from start to finish. He would pace around the sound-stage between scenes, velvet cape wrapped around him, posing in front of a full-length mirror while he intoned with sepulchral emphasis, `I am Dracula . . . I am Dracula!’ ” Asked about the film’s director Tod Browning, Manners said, “The only directing I saw was done by Kurt Freund, the cinematographer.”

Manners gave one of his most sensitive performances as a burnt-out flying ace in William Dieterle’s underrated The Last Flight (1931) and was fine as the shy blind man who conveys his love for Barbara Stanwyck through a ventriloquist’s dummy in Frank Capra’s The Miracle Woman (1931), though the film was banned in the UK. George Cukor cast him as Katharine Hepburn’s fiance, rejected by her after she discovers there is insanity in her family, in A Bill of Divorcement (1932), and Manners was to remain part of Cukor’s circle of close friends until the director’s death in 1983.

He was not too effective as the romantic lead in The Mummy (1932), a superior horror film dominated by Karloff, but was praised for his lively performance in The Warrior’s Husband (1933), which he followed with the role of the centurion in the musical Roman Scandals (1933).

In The Black Cat (1934), considered the finest film of the director Edgar Ulmer, Manners and Jacqueline Wells were newly weds caught in a storm and taking shelter in the gloomy castle of Karloff and Lugosi. Though the film owes little to the Poe original, it is made with subtle expressionism and a dream-like atmosphere that is hauntingly effective. Manners played the title role in The Mystery of Edwin Drood (1935), strangled by Claude Rains on Christmas Eve, and appeared with Katharine Hepburn again in A Woman Rebels (1936), after which he retired from acting to concentrate on writing.

He was coaxed back to the theatre 10 years later, starring in Maxwell Anderson’s play Truckline Cafe. Directed by Elia Kazan and featuring an unknown Marlon Brando, the play ran for 13 performances on Broadway. But in December 1946 Manners scored a great personal success when he took over from Henry Daniell as Lord Windermere in Lady Windermere’s Fan. Designed by Cecil Beaton, the play was a hit in New York and toured for a year, after which Manners announced his permanent retirement as an actor.

David Manners had a home in Pacific Palisades, which he shared with a fellow writer, William Mercer, and ran an art gallery. Among his published books were two novels, Convenient Season and Under Running Laughter, and two philosophical works, Look Through and The Soundless Voice, the latter described by one critic as “a penetrating book on meditation”.

In recent years, rich due to land investments, he lived alone in an ocean- view apartment in Santa Barbara. Married briefly early in his career, he was noted for maintaining a private personal life and refusing to dwell on the past, though he declared fond memories of his Hollywood friendships with Mary Pickford, Douglas Fairbanks, George Arliss, Constance Bennett and others. “Tried and true friendship,” he said, “that’s what this old world needs plenty of.”

Tom Vallance

Rauff de Ryther Duan Acklom (David Manners), actor: born Halifax, Nova Scotia 30 April 1902; married; died Santa Barbara, California 23 December 1998.

His “Independent” obituary can also be accessed here.

David Birney
David Birney
David Birney
David Birney

David Birney was born in 1939 in Washington D.C.   He has had a profilic career on stage and television.   His TV shows include “Bridget Loves Bernie” and “St Elsewhere”.   His films include “Caravan to Vaccares” with Charlotte Rampling and “Trial by Combat”.

TCM Overview:

Since his primetime debut in the early 1970s, this handsome, dark-haired TV actor has seemed to be on the brink of superstardom, but has had the ill fortune of never appearing on a hit series. David Birney was the toast of the Dartmouth College drama program and worked extensively in theater before such TV series as “Bridget Loves Bernie” (CBS, 1972-73), “Serpico” (NBC, 1976-77) and “Glitter” (ABC, 1984) gave him a different profile.

After military service, Birney joined the Barter Theatre Company in Abingdon, VA, where he made both his professional acting (in Noel Coward’s “Hay Fever”) and directing ( with Edward Albee’s “The Zoo Story”) debuts. He went on to appear with various regional theaters, including the Hartford Stage Company, before making his New York debut with Joseph Papp’s New York Shakespeare Festival in “A Comedy of Errors” in 1967. Birney appeared alongside Stacy Keach and Rue McClanahan in “MacBird” (1967) won praise for his turn in the off-Broadway show “Summertime” the following year. Numerous other stage roles followed, although his theater work became sporadic after 1975 when TV roles became more plentiful. Birney did make a belated Broadway debut in 1983 stepping into the role of Salieri in Peter Shaffer’s award-winning play “Amadeus”.

The actor made his TV series bow as the young lover Mark Elliot on the CBS soap opera “Love Is a Many Splendored Thing” in 1968. Two years later, he segued to the ABC daytime drama “A World Apart”. But audiences came to recognize Birney for his primetime work beginning as Bernie Steinberg, the Jewish cab driver with writing aspirations married to an Irish-American Roman Catholic bride. “Bridget Loves Bernie” attempted to recreate the “Abby’s Irish Bride” and “Cohens and Kellys” successes of the early part of the 20th Century, but the show lasted a mere season. (Birney married his co-star, Meredith Baxter, whose fame was to eclipse his when she starred in “Family Ties” in the 80s. They divorced in 1989.)

Birney was an impressive John Quincy Adams in the 1976 PBS miniseries “The Adams Chronicles”. Later that year, he stepped into Al Pacino’s shoes as “Serpico”, but the small screen version only lasted one season. In 1982, Birney was in the original cast of the NBC medical series “St. Elsewhere” as Dr. Ben Samuels, the young doctor who had slept with every woman in the hospital. Conflicts with the producers on the direction and status of his role led to his leaving the series after a year. He hooked up with producer Aaron Spelling with the short-lived “Glitter”, as a star reporter for a magazine. A decade later, Birney was the smarmy news anchor on the equally short-lived UPN series “Live Shot” (1995).

As a frequent player in TV-movies and miniseries, Birney had better luck demonstrating his range and talent. He made his TV debut playing Brother Martin, hearing the confession of “Saint Joan” in a 1967 NBC “Hallmark Hall of Fame” production. He offered a strong performance as one of the leads in the syndicated miniseries “Testimony of Two Men”. His longform star status increased when he played Lyon Burke, the lawyer whose becomes involved romantically with one young woman and professionally with two others, in “Jacqueline Susann’s Valley of the Dolls 1981”. Birney served as executive producer of “The Long Journey Home” (CBS, 1987) and wrote “The Diaries of Adam and Eve”, a stage project about relationships he performed with then-wife Meredith Baxter-Birney that was filmed for PBS in 1989. More recently, Birney was Alan Hamel, the husband of Suzanne Somers in the 1991 ABC biopic “Keeping Secrets” and the adoptive father of a confused Stephen Dorff in “Always Remember I Love You” (CBS, 1990).

Birney’s feature film appearances have been sporadic. He debuted in the low-budget “Caravan to Vaccares” (1974) but is probably better recalled as the advertising executive whose daughter sees the Almighty in “Oh God! Book II” (1980).

The above TCM overview can also be accessed online here.

New York Times obituary:

Richard Sandomir

By Richard Sandomir

Published May 2, 2022Updated May 4, 2022

David Birney, a classically trained theater actor who found success on the stage, including on Broadway, but who was best known for his role in “Bridget Loves Bernie” — a short-lived sitcom about an interfaith marriage in which he starred opposite his future wife, Meredith Baxter — died on Wednesday at his home in Santa Monica, Calif. He was 83.

The cause was Alzheimer’s disease, said Michele Roberge, his life partner.

Mr. Birney had been in a handful of television series and movies when he was cast in 1972 as Bernie Steinberg, a Jewish taxicab driver and struggling writer. Ms. Baxter played Bridget Fitzgerald, a schoolteacher from a wealthy Roman Catholic family.

“This is not a message show,” Mr. Birney, who was Irish American, said during an interview with The Kansas City Star before the series’s debut. “It’s not even an idea show.”

CBS gave it a plum time slot between “All in the Family” and “The Mary Tyler Moore Show” on Saturday night; it consistently finished among the top 10 programs in prime time and was the highest rated new series of the 1972-73 season.

But it attracted criticism from a broad spectrum of Jewish groups, which objected chiefly to its treatment of intermarriage between Jews and Christians as a positive outcome and complained that it used Jewish stereotypes. CBS publicly played down the criticism but, without an explanation, canceled “Bridget Loves Bernie” after 24 episodes.

“One segment of the protesters is truly concerned about the dilution of their faith,” Mr. Birney told The Daily News several months after the cancellation. “But intermarriage is on the rise, nevertheless. The threat doesn’t come from a harmless show such as ours, but from within.”

Mr. Birney and Ms. Baxter married in 1974.

In 1976, Mr. Birney received acclaim for playing John Quincy Adams in the public television production of “The Adams Chronicles.” Later that year, he was hired to play Frank Serpico, the corruption-fighting New York City detective, in an NBC series adapted from the Sidney Lumet movie “Serpico” (1973), which had earned Al Pacino an Oscar nomination for best actor.

Mr. Birney was cast in the role on the strength of his work playing an officer in two episodes of “Police Story,” another NBC series. But “Serpico” was canceled after less than a full season. 

David Edwin Birney was born on April 23, 1939, in Washington, D.C., and grew up in Cleveland. His father, Edwin, was an F.B.I. agent, and his mother, Jeanne (McGee) Birney, was a homemaker and later a real estate agent.

After earning a bachelor’s degree in English from Dartmouth College in 1961, Mr. Birney turned down a scholarship from Stanford Law School and instead chose to study theater arts at the University of California, Los Angeles. He received a master’s degree a year later. In the Army, he was part of a program called the Showmobile, which entertained at military bases in the United States.

Mr. Birney’s theater career began in earnest in 1965, when he won the Barter Theater Award, enabling him to spend a season acting in shows at the prestigious Barter Theater in Abingdon, Va. He moved on to the Hartford Stage Company in Connecticut, and in 1967 he played Antipholus of Syracuse in a New York Shakespeare Festival production of “A Comedy of Errors.”

Mr. Birney made his Broadway debut two years later in Molière’s “The Miser.” And in 1971 he starred in a Broadway production of J.M. Synge’s “The Playboy of the Western World” at the Vivian Beaumont Theater at Lincoln Center. Mr. Birney played Christy Mahon, who enters an Irish pub in the early 1900s telling a story about killing his father.

“Mr. Birney had a cock sparrow arrogance,” Clive Barnes wrote in his review in The New York Times, “that mixture of both confidence and certainty that seemed perfectly right.”

At the opening of “Playboy,” the Clancy Brothers, the popular Irish singing group that Mr. Birney had befriended at a Manhattan bar, sat in the front row.

“They had their Irish sweaters on,” Ms. Roberge said in a phone interview, “and their arms crossed as if to say, Come on, show us what you’ve got.”

Over the rest of his theatrical career, Mr. Birney played a wide variety of roles, including Antonio Salieri, as a replacement, in Peter Shaffer’s “Amadeus” on Broadway; Benedick in “Much Ado About Nothing” at the McCarter Theater in Princeton, N.J.; Hamlet at the PCPA Theaterfest in Santa Maria, Calif.; and James Tyrone Jr. in Eugene O’Neill’s “A Moon for the Misbegotten” at the Miniature Theater of Chester, Mass.

He also adapted some of Mark Twain’s short stories into a play, “The Diaries of Adam and Eve,” which he often performed and directed. In 1989, he starred in one of the productions, with Ms. Baxter, for American Playhouse on PBS.

The couple divorced that year. In 2011, she wrote in her book,“Untied: A Memoir of Family, Fame and Floundering,” that Mr. Birney had been abusive during their marriage. He denied her accusation, calling it an “appalling abuse of the truth.”

One of Mr. Birney’s biggest successes on television was a starring role as a doctor in the first season of the medical dramedy “St. Elsewhere.” But as the second season approached, he left the series because of his commitment on Broadway to “Amadeus.”

He continued to work in television through 2007, when he was a guest on the police procedural “Without a Trace.”

In addition to Ms. Roberge, Mr. Birney is survived by his children with Ms. Baxter, his daughters Kate and Mollie Birney and a son, Peter Baxter; a stepdaughter, Eva Bush, and a stepson, Ted Bush, Ms. Baxter’s children from a previous marriage; two grandchildren; and his brothers, Glenn and Gregory. Another marriage, to Mary Concannon, also ended in divorce

Beau Bridges
Beau Bridges

Beau Bridges is one the famous Bridges acting family which includes his late father Lloyd and his young brother Jeff.   Beau made his film debut in 1948 in “Force of Evil”.   In 1967 he made “The Incident” followed by “For the Love of Ivy”, “Hammersmith Is Out” with Elizabeth Taylor and “The Fabulous Baker Boys” with his brother Jeff.

TCM overview:

An Emmy and Golden Globe award winner, actor Beau Bridges – the eldest son of actor Lloyd Bridges and brother of Jeff Bridges – developed into an amiable character actor after beginning his career as a child star in such films as “Force of Evil” (1948) and Lewis Milestone’s “The Red Pony” (1949). Graduating into more adult roles in the late 1960s, Bridges was a diversely talented actor who fit comfortably into a number of genres – drama, comedy, historical biopics, and even science-fiction. Following a praised turn as reporter in “Gaily, Gaily” (1969) and a starring role in Hal Ashby’s directorial debut, “The Landlord” (1970), he made his first of several collaborations with director Peter Ustinov in the satirical comedy, “Hammersmith Is Out” (1972). Later in the decade, Bridges was the husband of union organizer “Norma Rae” (1979) and entered the following decade with a starring role in the biopic “Heart Like a Wheel” (1983). He joined his brother for the critically hailed romantic drama, “The Fabulous Baker Boys” (1989), which he followed with an Emmy-winning performance in the title role for “Without Warning: The James Brady Story” (HBO, 1991). Bridges also found great success on the small screen, earning critical acclaim for portraying Elvis’ manager Colonel Tom Parker, former U.S. president Richard Nixon, and 19th century showman P.T. Barnum. Entering the new millennium, Bridges showed no sign of slowing down with a recurring role on “Stargate: SG-1” (Sci-Fi Channel, 2005-07), a supporting part in Steven Soderberg’s World War II drama, “The Good German” (2006), and a guest starring role on “Desperate Housewives” (ABC, 2004- ). With his modest gravitas, which always made him a favorite of his many collaborators, Bridges quietly became one of the most prolific character performers working in Hollywood.

Born Lloyd Vernet Bridges III on Dec. 9, 1941 in Hollywood, CA, he earned his lifelong nickname as a child, after the fictional son of Ashley Wilkes’ in “Gone with the Wind” (1939). After a hopeful career in pro basketball failed to pan out, Bridges returned to acting in his early twenties. In the early 1960s, he appeared in a number of TV shows, including his father’s syndicated undersea adventure series “Sea Hunt” (1958- 1961). Seeking to forge his own identity separate from his famous father, however, Bridges began going after more serious, adult-oriented fare toward the end of the decade. Among his most notable credits from this early period was a supporting part as a soldier menaced by hoods during a subway ride in Larry Peerce’s “The Incident” (1967). Bridges also gained notice for his gripping portrayal of a fictionalized Ben Hecht in Norman Jewison’s “Gaily, Gaily” (1969).

Although he proved himself a capable romantic lead early on – particularly in Hal Ashby’s “The Landlord” (1970) – Bridges ultimately found his niche as a character actor. He continued to work steadily, if not spectacularly, throughout the 1970s in features like Sidney Lumet’s “Child’s Play” (1972) and Peerce’s “The Other Side of the Mountain” (1974), before landing the thankless role of Sally Field’s husband in director Martin Ritt’s pro-union drama “Norma Rae” (1979). While Field’s flashier title role nabbed her an Oscar for Best Actress, Bridges’ role as her insecure, frustrated spouse, Sonny, was deceptively multi-layered and arguably the more complex of the two.

Bridges became especially prolific during the 1980s, appearing in no less than two dozen features and television productions. In 1981, Bridges earned positive notice for his supporting role as East German baddie Guenter Wentsel in “Night Crossing,” an interesting, but ultimately forgettable Cold War drama. Two years later, Bridges gave one of his best performances supporting Bonnie Bedelia in the underrated racecar drama “Heart Like a Wheel” (1983). Around this same period, Bridges branched into directing with the 1982 NBC movie “The Kid from Nowhere,” a vehicle which not only saw him act, but also provided roles for sons Casey and Jordan. He later helmed, co-produced and starred in the highly-acclaimed “The Thanksgiving Promise” (ABC, 1986), an even larger family affair featuring three generations of Bridges – father, mother, brother and son Jordan. Bridges made his feature directing debut with “The Wild Pair” (1987), acting opposite father Lloyd and sons Casey and Dylan this time, but neither it nor the subsequent “Seven Hours to Judgment” (1988), which re-teamed him with Leibman, created much excitement.

Fortunately, Bridges managed to close the decade out on an especially high note – starring opposite his brother Jeff in director Steve Kloves’ engaging drama, “The Fabulous Baker Boys” (1989). Cast as the low-rent, polyester-clad lounge lizard Frank Baker, Bridges turned in a magnificent performance as the spurned half of a brother-brother nightclub act with both in love with saucy Michelle Pfeiffer. Smart, smooth and unexpectedly poignant, Bridges earned raves for his performance – one that many viewed as partly autobiographical in nature.

Returning to the small screen in the 1990s, Bridges tried to make a go of series television as the star and executive producer of “Harts of the West” (CBS, 1993-94), a dramedy about a city slicker who uproots his family to the Flying Tumbleweed Ranch in Sholo, NV. Unfortunately, the show failed to find an audience. Luckily, Bridges appeared to have better luck in the long-form format. In 1992, Bridges won a Golden Globe and an Emmy for Outstanding Lead Actor in a Miniseries or Special for his tragic portrayal of James Brady – the former press secretary of President Ronald Reagan who took a bullet from John Hinkley’s attempt on the president’s life – in “Without Warning.” The following year, Bridges took home another Emmy in the same category for his deliciously funny turn in the cable black comedy, “The Positively True Adventures of the Alleged Texas Cheerleading-Murdering Mom” (HBO, 1993) – based on the true story of accused murderer Wanda Holloway.

Continuing his good luck with politically-themed dramas, Bridges turned in yet another Emmy-nominated performance as disgraced President Richard Nixon in the TNT made-for-TV movie “Kissinger & Nixon (1995). Starting in 1997, Bridges served as co-star and producer on three Showtime telefilms based on the old TV series “The Defenders” (CBS, 1961-64). In the first two, “The Defenders: Payback” (1997) and “The Defenders: Choice of Evils” (1998), original series star E.G. Marshall reprised his role as Lawrence Preston, joined by son Don (Bridges) and granddaughter M J. (Martha Plimpton). When Marshall became too ill to participate in the third installment, “The Defenders: Taking the First” (1998), the focus of the movie shifted to the father-daughter team, indicating that there was still life in the franchise. Bridges also starred in the Barry Sonnenfeld-produced summer series “Maximum Bob” (ABC, 1998), a quirky one-hour drama based on an Elmore Leonard novel, playing Floridian Judge Bob Isom Gibbs, a hard-nose who meets his match in a female lawyer.

In 2005, Bridges was cast as austere Major General Frank Landry on the cable sci-fi adventure series “Stargate SG-1” (Showtime/Sci-Fi Channel, 1997-2007). The following year, Bridges received his third Emmy nod; this time for Outstanding Guest Actor in a Comedy Series for his role as Carl Hickey, the no-goodnick father of the title character played by Jason Lee in the hit NBC sitcom “My Name is Earl” (2005-09). Following supporting turns in Steven Soderbergh’s World War II mystery, “The Good German” (2006), and as a Hollywood manager in “Americanizing Shelley” (2007), Bridges co-starred in the video game feature film adaptation, “Max Payne” (2008), playing a former cop and mentor who helps the titular antihero (Mark Wahlberg) find the people responsible for killing his family and partner. On the small screen, Bridges earned an Emmy Award nomination in 2009 for Outstanding Guest Actor in a Comedy Series for playing handyman Eli Scruggs on an episode of “Desperate Housewives” (ABC, 2004- ). Earlier that year, he shared a Grammy Award with Cynthia Nixon and Blair Underwood for Best Spoken Word Album for his reading of Al Gore’s An Inconvenient Truth. In another acclaimed guest turn, he played Detective George Andrews – who decides to undergo a transformation into Detective Georgette Andrews – on an episode of “The Closer” (TNT, 2005-2011). His performance earned Bridges an Emmy Award nomination for Outstanding Guest Actor in a Drama Series. He continued amassing Emmy nominations as a guest star with his performance as the old boyfriend of family matriarch Nora Walker (Sally Field) on “Brothers and Sisters” (ABC, 2006-2011).

The above TCM overview can also be accessed online here.

Betsy Von Furstenberg
Betsy Von Frustenberg
Betsy Von Frustenberg

Betsy Von Furstenberg was born in 1931 in Germany. She made her debut on film in Germany and came to the U.S. in 1951. Her film career has been totally on television and include “Adventure in Paradise” in 1960 and “The Defenders” in 1963.

IMDB entry:

This elegant, ladylike 50s Broadway star was born in Heiheim Heusen, German on August 16, 1931, the daughter of Count Franz-Egon von Furstenberg and his wife Elizabeth (Johnson). A lady of privilege, Betsy moved to America growing up and attended Miss Hewitt’s Classes and New York Tutoring School. With designs on acting, she prepared for the theater at the Neighborhood Playhouse with Sanford Meisner and made her stage debut in New York at the Morosco Theatre in 1951 with “Second Threshold.” She went on to create a gallery of breezy and stylish debutantes and society girls and enjoyed her first major hit playing Myra Hagerman in “Oh, Men! Oh, Women!” in 1953. Her role would be played by Barbara Rush in the 1957 movie version. Betsy continued with prime roles throughout the 1950s in such plays as “The Chalk Garden,” “Child of Fortune,” “Nature’s Way,” “Wonderful Town” and “Much Ado About Nothing,” among others. At the same time she also graced a number of live and taped TV dramas, including ‘Playhouse 90,” “Alfred Hitchcock Presents” and “Kraft Television Theatre” and a variety of talk shows.

In the 1960s Betsy appeared in another sparkling comedy hit playing the role of Tiffany in “Mary, Mary” starring Barbara Bel Geddes and Barry Nelson. Again, however, when it came time to film the movie version, Betsy was replaced…this time by then-popular TV star Diane McBain. Making her first and only film appearance in the Italian-made _Donne senza nome (1949)_ [Women Without Names], one can only surmise the film career she might have had, had she been able to recreate some of her lovely stage roles. In the 1970s Betsy was seen opposite Maureen Stapleton in “The Gingerbread Lady” and played Sybil in a production of “Private Lives.” Light comedies also came her way with “There’s a Girl in My Soup” (with Don Ameche and Taina Elg), “Absurd Person Singular,” “Status Quo Vadis” and “Avanti!”

Married to Guy Vincent de la Maisoneuve, she retired from the stage in later years but was glimpsed quite often in high society gatherings and theater benefit functions.

– IMDb Mini Biography By: Gary Brumburgh / gr-home@pacbell.net

Rosemary Murphy
Rosemary Murphy
Rosemary Murphy

Rosemary Murphy was born in 1927 in Munich, Germany. She studied acting in New York at the Neighbourhood Playhouse. She made her stage debut in Germany in 1949 in “Peer Gynt”. Her Broadway debut came in 1950. She gave an incisive performance in the movie “To Kill A Mockingbird” in 1962 and also featured in “Walking Tall” in 1973.   She died in July 2014.

Her “Hollywood Reporter” obituary:

Rosemary Murphy, who played the neighbor Miss Maudie in the 1962 classic To Kill a Mockingbird and earned an Emmy Award and three Tony nominations during her distinguished career, has died. She was 89.

Murphy, who won her Emmy for portraying the mother of Franklin Delano Rooseveltin the 1976 ABC miniseries Eleanor and Franklin, died Saturday in her Upper East Side apartment in New York City, her longtime agent, Alan Willig, told The Hollywood Reporter. She recently was diagnosed with esophageal cancer.

In To Kill a Mockingbird (1962), the acclaimed film drama based on Harper Lee’s Pulitzer Prize-winning novel, Murphy played Maudie Atkinson, who lives across the street from attorney Atticus Finch (Gregory Peck) and helps teach his children lessons about racism and human nature.

“You knew you were in something special. It was a fascinating experience,” Murphy said about making the film in a 2012 interview with The Daily Beast. “I was very respectful of where I was and thrilled to be there. Gregory Peck was accessible and a real gent.”

With her death, Robert Duvall is believed to be the last adultMockingbird castmember still alive.

After Eleanor and Franklin, Murphy collected a second Emmy nom for playing Sara Ann Delano Roosevelt in the follow-up telefilm Eleanor and Franklin: The White House Years (1977).

Murphy’s Tony noms, all for best actress in a play, came in 1961 for her work as Dorothea Bates inTennessee Williams’ Period of Adjustment; in 1964 for Any Wednesday, in which she starred opposite Gene Hackman; and in 1967 for Edward Albee’s A Delicate Balance, which also starredHume Cronyn and Jessica Tandy.

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She appeared in more than a dozen Broadway productions, from 1950’s The Tower Beyond Tragedythrough 1999’s Waiting in the Wings, written by Noel Coward.

On film, Murphy stood out as prostitute Callie Hacker in the Joe Don Baker revenge tale Walking Tall(1973). She also appeared in The Young Doctors (1961); the 1966 film version of Any Wednesday that starred Jane Fonda; the killer rodent sequel Ben (1972); 40 Carats (1973), with Liv Ullmann; Julia (1977), again with Fonda; September (1987), with Elaine Stritch; Woody Allen’s Mighty Aphrodite(1995); and Synecdoche, New York (2008).

In the 1976 NBC telefilm A Case of Rape, Murphy played a ruthless D.A. who cross-examines a rape victim (Elizabeth Montgomery) and wins acquittal for the man who attacked her. She also had a regular role in the 1970s NBC drama series Lucas Tanner, starring David Hartman.

Her TV résumé also includes playing kleptomaniac Loretta Fowler on the NBC daytime drama Another World and guest-starring stints on such shows as The VirginianBen CaseyThe FugitiveCannon,Medical CenterTrapper John, M.D.Murder, She Wrote and Dr. Quinn, Medicine Woman.

Murphy was born in Munich, the daughter of a U.S. diplomat. She studied acting in New York at the Neighborhood Playhouse and the Actors Studio.

She never married. Survivors include her sister Mildred and nephew Greg. A memorial will be held in Manhattan in September, her nephew said.